Milan Jespers, Cénotaphes

Milan Jespers, Cénotaphes

33 place du Châtelain Brussels, 1050, Belgium Monday, June 26, 2023–Monday, July 31, 2023

The Huberty & Breyne | Châtelain gallery is delighted to announce that it will be hosting the first solo exhibition by the Brussels-born artist Milan Jespers (b. 1992).

sede vacante by milan jespers

Milan Jespers

Sede Vacante, 2022

2,300 EUR

drying meat diptych by milan jespers

Milan Jespers

Drying Meat Diptych, 2022

1,800 EUR

baigneurs de rance by milan jespers

Milan Jespers

Baigneurs de Rance, 2023

Sold

delftware medical casts by milan jespers

Milan Jespers

Delftware Medical Casts, 2022

Sold

zinc by milan jespers

Milan Jespers

Zinc, 2022

4,800 EUR

delftware venus mkii by milan jespers

Milan Jespers

Delftware Venus MKII, 2022

1,700 EUR

saint bartholomew by milan jespers

Milan Jespers

Saint Bartholomew, 2022

5,400 EUR

The title of the exhibition "Cénotaphes" refers to a monument commemorating a dead person but containing no physical remains. Each work is executed with extreme skill and pays homage to some aspect of humanity - mutilated bodies accompanied by delicately transformative motifs; rites and rituals; joyous, painful and vainglorious mysteries of our civilisation.


The artist uses 19th-century photographs as his primary inspiration. These images reflect an era where spirituality and superstition, though dying out, nevertheless continued to coexist with the new world of modernity, rationality and industrialism.


Most of the work in the exhibition - paintings, drawings and engravings - was produced between 2021 and 2023.


Milan Jespers came early to painting. From a tender age, he was already winning prizes for skilfully painting on small figurines and revealing a sharp eye and a love of detail that are both still evident in his work today.


At the age of 23, Milan Jespers graduated from the ESA Saint-Luc, in Brussels, where he was enrolled on the comics programme. His keen interest in history and in the narrative aspects of comic strip remain major influences in his current practice and watercolour gradually became central to his whole way of working.