ETERNITY

ETERNITY

34-36 Irakli Abashidze Street, Vake Tbilisi, 0179, Georgia Monday, November 9, 2020–Friday, January 29, 2021

Eternitysolo ETERNITY

ETERNITY

solo show with Philip Hearsey

cycles xii by philip  hearsey

Philip Hearsey

Cycles XII, 2015

3,500 GBP

looking both ways by philip  hearsey

Philip Hearsey

Looking Both Ways, 2018

2,975 GBP

marking time iii by philip  hearsey

Philip Hearsey

Marking Time III, 2020

2,750 GBP

marking time ii by philip  hearsey

Philip Hearsey

Marking Time II, 2020

2,750 GBP

skydancer ii by philip  hearsey

Philip Hearsey

Skydancer II, 2018

2,975 GBP

skydancer i by philip  hearsey

Philip Hearsey

Skydancer I, 2018

2,975 GBP

this way by philip  hearsey

Philip Hearsey

This Way, 2019

1,750 GBP

strada v by philip  hearsey

Philip Hearsey

Strada V, 2015

2,750 GBP

westering by philip  hearsey

Philip Hearsey

Westering, 2020

3,750 GBP

fitzroy by philip  hearsey

Philip Hearsey

Fitzroy, 2015

1,850 GBP

acanto i by philip  hearsey

Philip Hearsey

Acanto I, 2015

1,750 GBP

over there ii by philip  hearsey

Philip Hearsey

Over There II, 2015

4,750 GBP

Philip Hearsey born in 1946 is an experienced British sculptor who has exhibited his work throughout the UK. He specializes in sand casting to make sculptures that engage the quality of bronze as a noble material in its own right. Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand casting process is relentless and unforgiving – the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity. Color is achieved in many ways. The most common and widely used method is to oxidize (patinate) the bronze by employing the same chemical reaction that occurs in nature, but using a combination of mild heat and stronger solutions to achieve a faster result. Patination can be enhanced by the application of a transparent colorwash that maintains the inimitable variegated effects that are possible with oxidization, whilst producing a more vivid finish. The most usual colorwash is acrylic, but oil-bound washes or colored waxes are sometimes used. Coloring can also be achieved by painting alone and often this technique is utilized on part of a sculpture in combination with patination. Painting allows a greater range of colors than patination alone. All coloring is finished and protected by a marine grade lacquer and/or wax.Philip lives and works on the Welsh borders of Herefordshire – a beautiful place, still remote and largely unaltered, landlocked and very slow in change. This is in sharp contrast to the coast that he also loves, where everything changes twice a day with the rise and fall of each tide.