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01 December 2024
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William Kentridge
Still from
Zeno Writing
FEATURES 2002 ARCHIVES
HISTORY DRAWING
by Jerry Saltz
12/30/02
William Kentridge's
Zeno Writing.
THE SMITH MYSTERY
by Joyce Caruso Corrigan
12/30/02
Works by Tony Smith and his daughters, Kiki and Seton Smith.
FANTASY UNDERFOOT
by Jeffrey Binstock
12/24/02
The Corcoran Gallery unveils its 47th biennial exhibition.
GENTLEMAN AND DISSEMBLER
by John Reed
12/20/02
Duncan Hannah and the dream of conquest.
THE SPIRIT OF GRAY
by Donald Kuspit
12/19/02
Anselm Kiefer and the romance with death.
WILD CARD
by Jerry Saltz
12/18/02
Dana Schutz paints the last man on earth.
TALKING "DRAWING NOW"
by Phyllis Tuchman
12/17/02
An interview with MoMA guest-curator Laura Hoptman.
MIAMI IS FOR COLLECTORS
by Walter Robinson
12/16/02
Secrets of success at Art Basel Miami Beach.
CITY FARE
by Robert G. Edelman
12/16/02
Painter David Kapp and the world of Canal Street.
A SPRINKLING OF DIAMONDS
by Charlie Finch
12/13/02
A wealth of new art in the Chelsea galleries.
SHUFFLING THE DECKCHAIRS
by Charlie Finch
12/10/02
Time for a new view of 20th-century art.
ASK MARK KOSTABI
by Mark Kostabi
12/12/02
Selling art on TV in Italy, plus more tips for artists.
PRAIRIE SMOKE
by Victor M. Cassidy
12/5/02
El Lissitzky, Frank Stella and the
Had Gadya,
more.
PAINTING A LA MODE
by Jerry Saltz
12/4/02
"Painting as Paradox" at Artists Space.
PASSAGE TO INDIA
by N. F. Karlins
12/3/02
An important loan show of oil paintings by Edwin Lord Weeks.
MOSCOW EXPRESS
by Andrey Kovalev
12/2/02
Kulik v. Kourni in the Russian art capital.
THE PICABIA AFFAIR, PART III
by Alain Tarica
11/27/02
In reply to the Picabia Committee, and the committee's response.
JACKIE OH!
by Charlie Finch
11/25/02
Jackie Gendel stands out at White Columns.
ART MARKET GUIDE 2002
by Richard Polsky
11/22/02
Fall contemporary sales have a "value-oriented" happy ending.
SEAN ON MARINA
by Charlie Finch
11/20/02
Dealer Kelly discusses artist Abramovic.
WATER AS BODY AND SPIRIT
by Robert G. Edelman
11/19/02
The elusive and incorporeal, in photographs by Rena Bass Forman.
LIE DOWN IN DARKNESS
by Charlie Finch
11/15/02
An all-but-secret triumph from David Hammons.
ART MARKET GUIDE 2002
by Rachael Lorenz
11/11/02
Is there a market for fashion photography?
STARIN' AT KARIN
by Charlie Finch
11/11/02
Candied colors from painter Karin Davie.
JAPAN'S DECORATIVE DELIRIUM
by Fred Stern
11/8/02
400 years of Kazari at Japan Society in New York.
ART MARKET GUIDE 2002
by Richard Polsky
11/8/02
Sotheby's gamble and a few other observations.
HEART OF DARKNESS
by Charlie Finch
11/7/02
Afrika's chilling installation recreates an Al Qaeda attack.
SLEEPERS AWAKE
by Jerry Saltz
11/6/02
Alexander Ross and Steve DiBenedetto stand out in Chelsea.
GOOD ON PAPER
by Jerry Saltz
10/30/02
"Drawing Now: Eight Propositions" at MoMA Queens.
THE PICABIA AFFAIR, PART II
10/29/02
The Picabia Committee in response to Alain Tarica.
ROBERTA REVIEWS ROBERTA
by Charlie Finch
10/28/02
The biggest show in town.
CARPE DIEM
by Jerry Saltz
10/23/02
Peter Cain's sexy cars at Matthew Marks Gallery.
ART VERSUS EVIL
by Charlie Finch
10/21/02
Art's role in troubled times.
THE PICABIA AFFAIR
by Alain Tarica
10/18/02
Controversy embroils the oeuvre of Francis Picabia.
FOR SALE: THE OBJECT RETURNS
by Charlie Finch
10/11/02
Paul McCarthy, Paul Feeley, Peter Cain . . . and Oriana Fallaci.
REPEAT PERFORMANCE
by Jerry Saltz
10/9/02
Beth Campbell makes art out of the way we think.
INTIMATE IMPRESSIONS
by N. F. Karlins
10/8/02
Pierre Bonnard's retrospective at the Phillips Collection.
MY FAVORITE ARTIST
by Charlie Finch
10/4/02
Get ready for something new from Marina Abramovic.
WAR ART
by Alan Moore
10/2/02
Vernacular symbols of patriotism in Staten Island.
TALKING "MOVING PICTURES"
by Phyllis Tuchman
9/30/02
An interview with Guggenheim curator Nancy Spector.
ART MARKET GUIDE 2002
by Richard Polsky
9/30/02
Philip Taaffes painting has upside potential.
EMINENT DOMAIN
by Charlie Finch
9/27/02
Tracey Emin should move to New York.
MOMMIE QUEEREST
by Jerry Saltz
9/25/02
Robert Melee's abject, abusive and out-there art.
U.S.A. 1964
by Ned Higgins
9/24/02
Garry Winogrand at the International Center of Photography.
IT IS TIME, ONCE AGAIN, TO KILL THE PAST
by Charlie Finch
9/20/02
For 10 years, contemporary art has been the vanguard of youthful expression in the arts.
SEPTEMBER TSUNAMI
by Paul H-O
9/19/02
Robert Longo's big waves roll into Metro Pictures.
NAUGHTY, NAUGHTY
by Jerry Saltz
9/18/02
Saccharine, mindless sex in "Exposed: The Victorian Nude."
THE QUEEN RETURNS
by Charlie Finch
9/13/02
Mary Boone opens two new shows.
LEARNING ON THE JOB
by Jerry Saltz
9/11/02
The critic reflects on his role at the beginning of the new season.
BORED TO TEARS
by Charlie Finch
9/11/02
Artforum
celebrates ten years under editor Jack Bankowsky.
ART MARKET GUIDE 2002
by Richard Polsky
9/6/02
Works by Ellsworth Kelly routinely bring $1 million at auction.
A WALLOW IN THE HOLLOW
by Charlie Finch
9/3/02
Infections of the international curatorial weltanschauung.
CALDER COUNTRY
by Phyllis Tuchman
8/28/02
Three generations of the Calder family of sculptors are on view in Philadelphia.
SUBLIME LE GRAY
by Irit Krygier
8/28/02
The surprisingly modern vision of the 19th-century photographer Gustave Le Gray.
ART MARKET GUIDE 2002
by Richard Polsky
8/27/02
The challenging market for Larry Rivers.
ART VS. THE ARTIST
by Charlie Finch
8/23/02
Remembering Larry Rivers.
UNCENSORED FLESH
by Donald Kuspit
8/19/02
Lucian Freud and the naked human psyche.
CRISIS IN CONTEMPORARY?
by Charlie Finch
8/16/02
If enough paint falls in the forest, and nobody is there to buy it...
IN WATER MILL WITH BOB
by Phyllis Tuchman
8/15/02
An eyewitness account of Robert Wilson at work.
ART MARKET GUIDE 2002
by Richard Polsky
8/12/02
Will art from the 1980s hold up over time?
PRELUDE TO 9/11
by Charlie Finch
8/2/02
Afrika to present Al-Qaeda tape from Chechnya.
ART MARKET GUIDE 2002
by Richard Polsky
7/31/02
Trends in the art bazaar.
GARRETT'S ATTIC
by Wendell Garrett
7/29/02
The art of the quilt in America.
QUILT WORLD
by N. F. Karlins
7/25/02
A global perspective at UBS PaineWebber Art Gallery.
THE 21st-CENTURY MUSEUM
by Charlie Finch
7/24/02
Hanging on the edge of a sharp precipice.
THE PSYCHOANALYTIC CONSTRUCTION OF BEAUTY
by Donald Kuspit
7/23/02
Linking beauty and sexual desire.
STILL SEARCHING FOR EVA HESSE
by Jeanne Siegel
7/18/02
A retrospective of the Postminimalist artist at the Museum Wiesbaden.
ROYAL TREASURES
by N. F. Karlins
7/16/02
The new Queen's Gallery opens in London.
ASK MARK KOSTABI
by Mark Kostabi
7/12/02
More on the burgeoning Rome art scene, plus more answers.
BASEBALL'S OBSCURE OBJECTS OF DESIRE
by Charlie Finch
7/10/02
A slow game in a fast world.
LIFE IS MORE IMPORTANT THAN ART
by Charlie Finch
6/27/02
For the summer in New York, Kelly Lamb's
Love Not Lost.
DESIGNER AND VISIONARY
by Victor M. Cassidy
6/24/02
Landscape designer Jens Jensen and the Prairie Style.
REMEMBERING HOLLY SOLOMON
by Charlie Finch
6/19/02
A fond farewell to the pioneering art dealer.
DARK STAR
by Irit Krygier
6/18/02
Andy Warhol and premonitions of death at the L.A. MOCA.
MONET'S BACCHANAL
by Walter Robinson
6/17/02
Claude Monet and "digital impressionism" at the Fondation Beyeler.
WORKING CLASS HERO
by Jerry Saltz
6/12/02
Ralph Fasanella at the New-York Historical Society.
IDENTITY CRISIS
by Pedro Velez
6/11/02
New Japanese photography at Julia Friedman in Chicago.
MATTHEW BARNEY: THE BIG LIE
by Charlie Finch
6/11/02
Is the Cremaster Creator a Charlatan?
THE HEART OF PHOTOGRAPHY
by Victor M. Cassidy
6/10/02
Moholy-Nagy, Callahan, Siskind and the Chicago Institute of Design.
PERVERSION IN ART
by Donald Kuspit
6/10/02
Perversion, the final frontier of art, and art, the final frontier of perversion.
METAL AND OIL
by Pedro Velez
6/7/02
New paintings by Robert Davis and Mike Langlois.
BOSOM MAXIMUS
by Jerry Saltz
6/6/02
Russ Meyer at Feigen Contemporary.
FRENCH TICKLE
by William Powhida
6/6/02
Two Paris artists bring a bit of French culture to Williamsburg.
LATIN LOVE
by Alex Worman
6/5/02
Glamour photography from 1950s Mexico.
MANIFESTA 2002
by Jina Park
6/5/02
A report on the big show in Frankfurt.
TWILIGHT DELIGHT
by Paul Hasegawa-Overacker
5/30/02
The big pictures of Gregory Crewdson.
CIRCUIT PARTY
by Jerry Saltz
5/29/02
Great new paintings by Brice Marden.
FOR THE BIRDS
by Charlie Finch
5/28/02
On Ed Ruscha's 1960s aviary.
MONEY, MONEY, MONEY
by Charlie Finch
5/21/02
Collector choices in the market for photography and new art.
THE DADA BARONESS
by Valery Oisteanu
5/20/02
The elusive Elsa von Freytag-Loringhoven.
INSIDE CAI GUO-QIANG
by Kay Itoi
5/17/02
The influential Chinese artist talks with Kay Itoi.
NICE BRICE, MEET CRUISIN' SUSAN
by Charlie Finch
5/17/02
New paintings from Susan Rothenberg and Brice Marden.
THE RAPTURE
by Jerry Saltz
5/16/02
Renaissance tapestries at the Metropolitan Museum.
PHILADELPHIA STORY
by Roberta Fallon
5/10/02
A conversation with sculptor Lynda Benglis.
A WORLD APART
by Jerry Saltz
5/9/02
"Black Romantic" at the Studio Museum in Harlem.
FROM HARLEM TO MOMA
by Charlie Finch
5/7/02
The beautiful Harlem Flophouse, plus intrigue at MoMA.
MATERIALIST MEMORANDA
by Alan Moore
5/6/02
Danica Phelps and the economy of art production.
SOMETHING ELSE
by Jerry Saltz
5/2/02
"Demonclownmonkey" at Artists Space.
SHOEGAZER
by Michael Rossi
5/1/02
Craig Kalpakjian's computer-assisted trance art.
PAUSE FOR THOUGHT
by Jina Park
4/24/02
The 2002 Gwangju Biennale.
REPORT FROM KOREA
by Carolee Thea
4/24/02
The Gwangju Biennale moves toward the future.
BABYLON AS USUAL
by Jerry Saltz
4/23/02
When the going gets gloomy in the art world.
AMERICANA HIGH
by Brook S. Mason
4/19/02
"U.S. Design 1975-2000" at the Denver Art Museum.
ARTNET INSIDER
by Sherry Wong
4/19/02
Artnet galleries in South America.
LOS ANGELES CLASS
by Michael Rossi
4/17/02
New work by painter Lari Pittman.
SPIRITUAL COMFORT
by Roberta Fallon
4/15/02
Rirkrit Tiravanija at Philadelphia's Fabric Workshop.
ART AND STARDOM
by Charlie Finch
4/12/02
Julian Schnabel and the century of celebrity.
WIGGED OUT
by Jerry Saltz
4/12/02
Ellen Gallagher at the Drawing Center.
SPACE INVADERS
by Ned Higgins
4/12/02
Star Wars
comes to the Brooklyn Museum.
PUDENDA AGENDA
by Jerry Saltz
4/10/02
Shaved vagina monologues.
LONDON DIARY
by Paul Hasegawa-Overacker
4/5/02
A trip to "Art Crazy Nation," and an interview with Matthew Collings.
POSITIVELY 24TH STREET
by Jerry Saltz
4/3/02
A block of spectacles in New York's Chelsea art district.
VIDEO CHOICES
by Charlie Finch
3/29/02
Kiki Seror, Annika Larsson, Jeremy Blake, Jonathan Calm.
GARRETT'S ATTIC
by Wendell Garrett
3/29/02
The rise of the Neoclassical style.
BURNING DOWN THE HOUSE
by Walter Robinson
3/26/02
Cosimo Cavallaro finds beauty in fire.
MILD THING
by Jerry Saltz
3/26/02
"Mirroring Evil" at the Jewish Museum.
LEO: WHAT'S HAPPENING?
by Charlie Finch
3/21/02
Keonig's downtown success story.
ASK MARK KOSTABI
by Mark Kostabi
3/20/02
How to become
even more
successful.
MORPHED UNIVERSE
by Ilka Scobie
3/20/02
Exploring beauty, race and identity with photographer Nancy Burson.
STREET SPIRITUALITY
by Roberta Fallon
3/15/02
Pattern and arabesque in work by graffiti artist Phil Frost.
A WHITNEY DRINKING SONG
by Charlie Finch
3/14/02
Or, Gertrude's Lament.
AMERICAN BLANDSTAND
by Jerry Saltz
3/12/02
I went to the Whitney and all I got was this lousy biennial.
THE PRISONERS OF SEX
by Charlie Finch
3/7/02
New shows in New York by Cecily Brown, Kiki Seror, Su-en Wong and Vanessa Beecroft.
SCALING RICHTER
by Jerry Saltz
2/27/02
A Gerhard-is-God moment at MoMA?
REAL PAKISTAN
by Kate Orne
2/25/02
A visit to women refugees in Pakistan with photographer Kate Orne.
SWEET ARMORY
by Charlie Finch
2/22/02
Better than ever in 2002.
RICHTER D.O.A.
by Donald Kuspit
2/21/02
Gerhard Richter's show at MoMA is the last ripple of the German wave.
GOODNIGHT, MoMA
by Charlie Finch
2/21/02
The Gerhard Richter retrospective closes out a pre-expansion MoMA.
SEX AND SENSIBILITY
by Jerry Saltz
2/20/02
"Surrealism: Desire Unbound" at the Metropolitan Museum.
SISLEY IN ITALY
by Orietta L'Abate
2/14/02
The first major exhibition of Alfred Sisley opens in Ferrara.
GUGGENRON
by Jerry Saltz
2/13/02
The Guggenheim has touched bottom.
GEOGRAPHY OF MIND
by Eve Wood
2/12/02
Charles LaBelle's scaffold of memory.
GARRETT'S ATTIC
by Wendell Garrett
2/12/02
The Arts of The Pennsylvania Germans.
CHENILLEVILLE
by Michael Rossi
2/5/02
Life in Lucky DeBellevue's tropical forest.
WILD KINGDOM
by Jerry Saltz
1/30/02
Bruce Nauman maps the studio at Dia.
WAITING FOR GERHARD
by Charlie Finch
1/30/02
Gerhard Richter yearns for the eternal return.
PATHS TO GLORY
by Ned Higgins
1/28/02
Guy Richards Smit and artistic self-obsession.
EMPTY EDEN
by Eve Wood
1/24/02
Steven Criqui photographs the evacuated landscape.
HERO OF THE PEOPLE
by Eric Gelber
1/24/02
Putting Mark Kostabi's new work to the test.
HARLEM ON HIS MIND
by Jerry Saltz
1/23/02
Jacob Lawrence's epic "Migration of the Negro."
NEW YORK CARNIVAL
by Ned Higgins
1/22/02
The sad vitality of Reginald Marsh's real world.
SECRETS OF THE SENSES
by Carlo McCormick
1/21/02
Art's cup runneth over at Copia in Napa, California.
SOCIETY ON EDGE
by Lindsay Pollock
1/16/02
South Africa photographer Roger Ballen comes to New York.
TURN 'EM LOOSE, BRUCE
by Charlie Finch
1/14/02
Bruce Nauman maps the studio.
NEUE CHALLENGES
by Donald Kuspit
1/10/02
A different view of modernism at Neue Galerie New York.
IT'S A NEW DAWN
by Charlie Finch
1/7/02
What's up in the art world in 2002.
ASK MARK KOSTABI
by Mark Kostabi
1/4/02
Generosity is the key to success.
LORD OF THE LOLITAS
by Jerry Saltz
1/2/02
The Henry Darger Collection at the American Folk Art Museum.
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