Phoenix: Symbol of Virtue, Peace, and Harmony

Phoenix: Symbol of Virtue, Peace, and Harmony

145 E. 57th Street 3rd FloorNew York, NY 10022, USA Thursday, March 2, 2023–Saturday, May 6, 2023


bird

Bird, 4700 BC–2500 BC

Price on Request

bird pendant

Bird Pendant, 1600 BC–1100 BC

Price on Request

bird

Bird, 4700 BC–2500 BC

Price on Request

eagle

Eagle, 4700 BC–2500 BC

Price on Request

eagle pendant

Eagle Pendant, 4700 BC–2500 BC

Price on Request

duck pendant

Duck Pendant, 907–1125

Price on Request

dragon and phoenix pendant

Dragon and Phoenix Pendant, 1644–1912

Price on Request

disc of double dragons framing a bi

Disc of Double Dragons Framing a Bi, 206 BC–220

Price on Request

blade with phoenix silhouette, shang period

Blade with Phoenix Silhouette, Shang Period, 1600 BC–1100 BC

Price on Request

engraved phoenix plaque, western zhou period

Engraved Phoenix Plaque, Western Zhou Period, 1066 BC–771 BC

Price on Request

Throckmorton Fine Art is pleased to present an expansive exhibit of jade carvings of the  mystical bird long present in Chinese mythology—the phoenix. The show will display over  sixty jade carvings, each of which are exquisite pieces of ornamental and/or ceremonial sculpture in their own right. The exhibit features artworks produced by cultures that span the history of Chinese civilization, from the late Neolithic period through to the early 20th century.  

Phoenix (Fenghuang) imagery was widespread throughout the many periods of  Chinese history, and these masterful carvings were the talisman of the cultures that produced them. A belief in the importance of “fortune” is an enduring, and charming, characteristic of  Chinese mythology. But the phoenix is also a symbol of harmony, and so these talismans  were—and are—symbols of hope. 

Some of the works on view include a large, yet impossibly thin “cloud” shaped  pendant with bird figures from the Hongshan (4700-2500 BCE) culture. There are eccentric ornamental fittings and pendants from the Shang (1600–1100 BCE) and Zhou periods (1066– 221 BCE). From the Han Period (206 BCE–220 CE), there are pendants, belt hooks, and other adornments decorated with meticulously carved relief work. Other works included highlight  the craftsmanship of the Tang (618 – 907 CE), Yuan (1279 – 1368 CE), and Qing (1644–1912 CE)  periods. Separated by millennia, these cultures differ in their visual language, yet all exhibit a  reverence for avian imagery. 

A catalogue accompanies the exhibit and includes an erudite history of Chinese  jade birds by the foremost expert on the subject, Gu Fang, Senior Fellow of the Institute of  Archeology, Chinese Academy of Social Sciences.  

The jade carvings exhibited were collected by Spencer Throckmorton over a  twenty-seven-year period, and each has been thoroughly studied and vetted by Mr. Gu Fang. All objects on display are exceedingly rare, such as a group of gilt Warring States pendants.  There is also a stunning eighteenth century “marriage phoenix” comprised of two halves that,  when brought together, form a single white jade pendant. The abundance of jade birds  represented throughout the long history of Chinese civilizations is apparent in the show. They  offer a fascinating window into both the role of jade and of the phoenix in Chinese culture.