EDIFICE, COMPLEX, VISIONARY, STRUCTURE

EDIFICE, COMPLEX, VISIONARY, STRUCTURE

475 10th Avenue New York, NY 10018, USA Saturday, January 6, 2018–Saturday, February 3, 2018


vientre by alejandro campins

Alejandro Campins

Vientre, 2017

Price on Request

cabana by james casebere

James Casebere

Cabana, 2017

Price on Request

olympia (nothing romantic) by david claerbout

David Claerbout

Olympia (Nothing Romantic), 2017

Price on Request

untitled, from the degradaciones series by diana fonseca quiñones

Diana Fonseca Quiñones

Untitled, from the Degradaciones series, 2016–2017

Price on Request

studies into the past by laurent grasso

Laurent Grasso

Studies into the Past

Price on Request

'1,2,3,4' by joseph kosuth

Joseph Kosuth

'1,2,3,4', 1993

Price on Request

upstate polaroids, lone house by peter liversidge

Peter Liversidge

Upstate Polaroids, Lone House, 2011

Price on Request

fairway motor inn by alec soth

Alec Soth

Fairway Motor Inn, 2005

Price on Request

stadt 10/06/a (berlin) by frank thiel

Frank Thiel

Stadt 10/06/A (Berlin), 2001

Price on Request

Sean Kelly is delighted to present Edifice, Complex, Visionary, Structure, a group exhibition featuring gallery artists who have addressed architectural themes in their work, either explicitly or indirectly, as reference and inspiration.

Architecture is both a concrete word and an intangible construct. An expression used to describe physical structures, reference the design of organic and man-made systems, and explain plastic concepts; it is at once flexible and immutable. We use the term literally to describe the random edifices that comprise our built environment and metaphorically to embody ideals and aspirations.

For instance, Candida Höfer and Alec Soth capture images of opulence and its opposite in their photographs of prestigious and functional architecture. Los Carpinteros, James Casebere, and Laurent Grasso envision fantastic and artificial worlds that exist in their imaginations. Jose Dávila and Iran do Espírito Santo use structural materials, including marble and glass, to construct their architectonic sculptures. And Antony Gormley considers the architecture of the human body as an adaptable set of forms to comprise abstract sculpture.

Documenting the passage of time, David Claerbout’s drawings for a film examine the slow decay of a thousand years brought upon by natural elements, while Peter Liversidge’s Polaroid diptychs focus on subtle atmospheric changes evoked in only a matter of minutes. Whether photographing the construction of a building complex in Berlin, like Frank Thiel, or fashioning a painting from fragments of paint peeled from the facades of buildings in Old Havana, as Diana Fonseca Quiñones does, each of the artists in this exhibition adopts a different language of architecture as the source for their creative vision.

Artists featured in this exhibition include; Alejandro Campins, Los Carpinteros, James Casebere, David Claerbout, Jose Dávila, Iran do Espírito Santo, Diana Fonseca Quiñones, Antony Gormley, Laurent Grasso, Candida Höfer, Ilse D’Hollander, Joseph Kosuth, Peter Liversidge, Sam Moyer, Julião Sarmento, Alec Soth, Frank Thiel, and James White.