Artworks by Eleanor Antin at Richard Saltoun Gallery on artnet

Eleanor Antin

(American, born 1935)

Eleanor Antin

Death and the Maiden, 1974–1975

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Eleanor Antin

100 Boots in the Market, 1971

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Eleanor Antin

The Gamblers (from Roman Allegories), 2004

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Eleanor Antin

100 Boots (set of Postcards), 1971–1973

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Eleanor Antin

From Recollections of My Life with Diaghilev by Eleanora Antinova, 1980

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Eleanor Antin

Death and The Maiden, 1974–1975

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Eleanor Antin

100 Boots Boarding, 1972

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Eleanor Antin

The Eight Temptations, 1972

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Exhibitions

2012: The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, NY
2011: Under the Big Black Sun: California Art 1974 – 1981, LA MoCA (Museum of Contemporary Art), Los Angeles, CA
: Los Angeles Goes Live: Los Angeles Performance Art, 1970 – 1983, LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA
: Singular Visions, Whitney Museum of American Art, New York, NY
: Rene Magritte – Pleasure Principle, Tate Liverpool, Liverpool, UK
: Heroines, Museo Thyssen-Bornemisza, Madrid, Spain
2010: The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York, NY
2009: Classical Frieze. Los Angeles County Museum of Art. Los Angeles, CA
: Drawings. Galerie Erna Hecey. Brussels, Belgium
: San Diego and the Origins of Conceptual Art in California. Culver City, CA
2008: Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom
: Person of Crowd: The Contemporary Art of Flânerie, Neuberger Museum of Art, Purchase College, Purchase, NY, USA
: Helen’s Odyssey, Ronald Feldman Fine Arts, New York, NY
: Eleanor Antin: Historical Takes, San Diego Museum of Art, San Diego, CA
: Held Together With Water. Art from the Verbund Collection, MAK, Vienna, Austria (cat.)
: documenta 12, Kassel, Germany
: Identity Theft: Eleanor Antin, Lynn Hershman, and Suzy Lake, 1972-78, Santa Monica Museum of Art Santa Monica, CA
2007: WACK!: Art and the Feminist Revolution, Museum of Contemporary Art, CA; National Museum of Women’s Arts, Washington DC; P.S.1 Contemporary Arts Center, Long Island City, NY; Vancouver Art Gallery, Vancouver
2006: Renegades: 25 years of performance at Exit Art, Exit Art, New York, NY, USA
: Los Angeles 1955-1985, Centre Pompidou, Paris, France
: 100 Boots Erna Hecey Gallery Brussels, Belgium
2005: Roman Allegories: Ronald Feldman Fine Arts, New York, NY
: Tracking and Tracing: Contemporary Acquisitions 2000-2005, San Diego Museum of Art, San Diego, CA, USA, December 17, 2005 - July 9, 2006.
: At the Mercy of Others: The Politics of Care, Whitney Museum of American Art, New York, NY, USA, May 18 – June 25, 2005.
2004: How do we want to be governed?, Miami Art Central, Miami, FL, USA, November 29, 2004 – January 30, 2005. (Catalogue)
: Beyond Geometry: Los Angeles County Museum of Art, Los Angeles, CA
2002: The Last Night of Rasputin (performance with film); Sydney Opera House, Sydney, Australia
: The Last Days of Pompeii: Marella Arte Contemporanea Milan, Italy
: Biennale of Sydney 2002: The World May Be Fantastic Sydney, Australia
: Tableaux Vivants – The Art of ‘Living Pictures’ in Photography, Film, and Video Kunsthalle Wein Vienna, Austria
2001: Eleanor Antin: Real Time Streaming, Cornerhouse, Manchester, England and travel
: The Wounded Diva: Hysteria, Body and Technology in the 20th Century, Kunstverein Munich, Germany
2000: Eleanor Antin: A Retrospective, Washington University
1999: The American Century: Art and Culture, 1900-2000, Whitney Museum of American Art New York, NY
: Eleanor Antin Retrospective, Los Angeles County Museum of Art Los Angeles, CA
1998: Out of Actions: Between Performance and the Object, 1949-1979, Museum of Contemporary Art Los Angeles, CA
: A View from the Vaults: Recent Video Acquisitions, Museum of Modern Art, New York, NY, USA
1997: Eleanor Antin: Selections from the Angel of Mercy, Whitney Museum of American Art New York, NY
1996: Eleanor Antin: Ghosts, Southeastern Center for Contemporary Art Winston-Salem, NC
: 1965-1975: Recosidering the Object of Art, The Museum of Contemporary Art, Los Angeles, CA
1995: Minetta Lane-A Ghost Story, Santa Monica Museum of Art Santa Monica, CA
1993: From the Inside Out: Eight Contemporary Artists, The Jewish Museum, New York, NY
1992: The Man Without a World (feature film), Berlin International Film Festival, Berlin, Germany
: Proof: Los Angeles Art and the Photograph 1960-1980, Laguna Art Museum, Laguna Beach, CA, USA; and travel to: De Cordova Museum, Lincoln, MA, USA; Friends of Photography, Ansel Adams Center, San Francisco, CA, USA; Montgomery Museum of Art, Montgomery, AL, USA; Tampa Museum of Art, Tampa, FL, USA; Des Moines Art Center, Des Moines, IA, USA.
1991: Challenging Myths: Five Contemporary Artists, Cunningham Gallery, Bakersfield Museum of Art, Bakersfield, CA, USA, April 1991.
: The Man Without a World, San Diego Museum of Contemporary Art, La Jolla, CA, USA, and travel to: major film festivals around the world, commercially distributed in the United States and sold to German ZDF Cable Television for programming in Germany, Austria, and Switzerland (solo)
: Biennale Exhibition, Whitney Museum of American Art New York, NY
1989: Retrospective of Photographic Works, Artemisia, Chicago, IL, USA (solo)
1988: Loves of a Ballerina, MAG Galleries, Los Angeles, CA, USA (Filmic installation) (solo)
1987: Fabrications- Staged, Altered, and Appropriated Photographs: International Center for Photography, New York, NY and travel
1985: Signs of the Times, Some Recuuring Motifs in Twentieth Century Photography, San Francisco Museum of Modern Art San Francisco, CA
1983: El Desdichado, Ronald Feldman Fine Arts, New York, NY, USA (El Desdichado) (solo)
: Recollections of my Life with Diaghilev, Tortue Gallery, Los Angeles, CA, USA (Recollections of my Life with Diaghilev) (solo)
1981: Other Realities: Installations for Performance, Contemporary Arts Museum, Houston, TX
1978: The Ballerina, Whitney Museum of American Art New York, NY
1977: La Jolla Museum of Contemporary Art, La Jolla, CA, The Angel of Mercy, 1977.
1976: Venice Biennale: opening night performance of The Battle of the Bluffs, Venice, Italy
1975: Video Art U.S.: Sao Paolo Biennale, Sao Paolo, Brazil
1973: 100 BOOTS, Museum of Modern Art, New York, NY
1971: Art Systems, Museum of Modern Art of Buenos Aires, Buenos Aires, Argentina
: Envois, Biennale de Paris, Paris, France
: Experiment 2, Midland Group Gallery, Nottingham, United Kingdom
: Image Bank Post Card Show, University of British Columbia, Vancouver B.C., Canada
1970: 2.972.453., Centro de Arte y Comunicacion (CAYC), Buenos Aires, Argentina (Catalogue)
1969: Language 3: Dwan Gallery, New York, NY
1968: Long Island University, Brooklyn, NY, USA (solo)

Literature

2010: Artforum “Philadelphia ‘Dance with Camera’ Institute of Contemporary Art” Johanna Burton
: Flash Art “Painting, Performance, Masquerade” Catherine Wood
2009: N.paradoxa 24 “Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey” Lisa E. Bloom
2008: Historical Takes: Eleanor Antin. New York, NY: Prestel/San Diego, CA: San Diego Museum of Art
2006: A Companion to Contemporary Art Since 1945. Edited by Amelia Jones. Malden, MA, Blackwell Publishing Ltd., 2006.
: Acting the Part:Photography as Theatre. Lori Pauli editor. London, England: Merrel Publishers, 2006.
2003: Archetypen: Zum Verhältnis von Gegenwartskunst und Antike. Essay by Martin Hoch Leitner. Linz, Austria: Landes Musseen, 2003.
: Art: 21 “Art in the Twenty-First Century” (Season two), PBS television documentary
2001: Art and Feminism. Edited by Helena Reckitt. Survey by Peggy Phelan. New York, NY: Phaidon Press, 2001.
: Antin, Eleanor. The Freebooters (illustrated children’s book), not yet published.
: Art in America "Getting Into Character" Leah Ollman
2000: Antin, Eleanor. “Bad Song,” Art Issues CD, “Song Poems.”
1999: New York Times "As a Feminist, a King; as a Ballerina, a Klutz" Vicki Goldberg
: Los Angeles Times "Picturing the Concept" Christoopher Knight
: "100 Boots" Essays by Henry Sayre and Eleanor Antin. Running Press
: The American Century: Art & Culture 1950-2000. Essay by Lisa Phillips. New York, NY: Whitney Museum of American Art & W.W. Norton, 1999.
1996: MIllenium Film Journal "Constructing Loss: Film and Presence in the Work of Eleanor Antin" Ellen Zweig
1995: Antin, Eleanor. The Eleanora Antinova Plays (part of the New Theatre and Performance Series). Los Angeles, CA: Sun & Moon, 1995.
1994: Altered Egos. Santa Monica, CA: Santa Monica Museum of Art, 1994.
1983: "Being Antinova: Eleanor Antin", Los Angeles, CA: Astro Artz Press
: "Eleanor Antin Essays" by Howard Fox and Lisa Bloom, Los Angeles, CA: Los Angeles County Museum of Art
1981: Alternatives in Retrospect. New York, NY: The New Museum, 1981.
1979: Arts Magazie, “Life/Art/Life: Quentin Crisp and Eleanor Antin: Notes on Performance in the Seventies”, John R. Clarke
1977: "Angel of Mercy" Essays by Crary and Levin. La Jolla, CA: La Jolla Museum of Contemporary Art

Eleanor Antin

(American, born 1935)

Eleanor Antin

Eleanor Antin

Eleanor Antin

Eleanor Antin

Eleanor Antin

Eleanor Antin

Eleanor Antin

Eleanor Antin

Biography

Exhibitions

Literature

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