Exhibitions

2010

Yesterday Will be Better- Taking Memory into the Future, Aargauer Kunsthaus, Aarau, Switzerland

FALL OUT – art, desire and disengagement, curated by Mads Damsbo and Merete Jankowski, Gl Holtegaard, Denmark, and Malmö Kunsthal, Sweden

Atopia: Art and City in the 21st Century, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain

Corporate Everything, Centre dʼArt De Fribourg Kunsthalle Freiburg, Germany

Sculpture Center Lucky Draw 2010, Sculpture Center, Long Island City, NY

Reprise, Paula Cooper Gallery, New York, NY

Permanent Reception, curated by Clemens von Wedemeyer, Galerie Nächst St.Stephan, Vienna

The Talent Show, Walker Art Center, Minneapolis, MN

Yesterday Will Be Better, Aargauer Kunsthaus, Aarau, Switzerland

Wouldnʼt a Title Just Make it Worse?, Central Reservation, Bristol, UK

The Perfect Exhibition, Part Two: Artists that Reflect Mechanisms of the Art Market in their Work, Heidelberger Kunstverein, Heidelberg, Germany

Permanent Mimesis, curated by Alessandro Rabottini, Galleria Civica dʼArte Moderna e Contemporanea, Turin, Italy

Midway Contemporary Art June Film Series, curated by Jonathan Thomas, Midway Contemporary Art, Minneapolis, MN

The Philosophy of Money, curated by Miguel Amado, Lisbon City Museum, Lisbon, Portugal

Mimesi Permanente, curated by Alessandro Rabottini, GAM Underground Project, Torino, Italy

Pattern Recognition, City Gallery, Leicester, England

Speech Acts Contemporary Art Museum Saint Louis, Saint Louis, MO (solo)

Counter Offer The Power Plant, Toronto, Canada (solo)

The Space of the Work and the Place of the Object Sculpture Center, New York

Feedforward: The Angel of History, Laboral Art Center, Gijon, curated by Christiane Paul and Steve Deitz

Commentary, Paula Cooper Gallery, New York, NY

Deceitful Moon, The Hayward Project Space, London, England

Hypnotic Show, curated by Raimundas Malasaukas, LABOR, Mexico City, Mexico

Feedforward: The Angel of History, Laboral Art Center, Gijón, curated by Christiane Paul and Steve Deitz

Carey Young: Uncertain Contracts, Rhode Island School of Design, Providence, RI (solo)

Impossible Exchange, Frieze Projects, Frieze Art Fair 2009, curated by Miguel Amado and Filipa Oliviera, London, England

Hypnotic Show, Kadist Art Foundation, Paris, France

2009

Die Welt als Buhne (World as Stage), curated by Solvej Ovesen, NBK, Berlin

Void of Memory, Kimusa/ArtSonje Centre, Seoul

Open Video Series #7, curated by Peter Garfield, CRG Gallery, New York, NY

Business As Usual Museum of Contemporary Art Detroit, Detroit, Michigan

Electioneering Fort Worth Contemporary Arts, Fort Worth, TX

Getting Even: Oppositions and Dialogues in Contemporary Art, Lewis Glucksman Gallery, University College Cork, Cork, Ireland

Better being a virus than catching a cold Mains d’Oeuvres, Paris, France

Soft Manipulation, or Who’s Afraid of the New Now? Casino Luxembourg, Luxembourg, curated by Maria Lind, Enrico Lunghi and Zoltan Eric & tour to Stiftelsen 3, 14, Bergen, Norway

2008

Mutual Release, Thomas Dane Project Space, London, UK (solo)

Objects of Value curated by Rene Morales, Miami Art Museum, Miami, FL

Speechcraft, Creative Time, New York Bar Association, New York, NY (performance) (solo)

2007

The Dotted Line, curated by Colby Chamberlain, BRIC Rotunda Gallery, Brooklyn, NY

No, Future, Bloomberg Space, London, England

If/Then, Paula Cooper Gallery, New York, NY (solo)

Speechcraft, Modern Art Oxford, London, England (performance) (solo)

Consideration, Midway Contemporary Art, Minneapolis (solo)

E-flux Video Rental, PiST, Istanbul and tour

How to Improve the World, Hayward Gallery, London, England

2006

Image Transfer, Production as Process, Umea Art Academy (solo)

2005

British Art Show 6, Baltic, Newcastle, Cornerhouse, Manchester, Nottingham Castle, Nottingham, Spike Island at A-Bond Warehouse, Bristol

Tirana Biennal, Tirana

Consideration, Paula Cooper Gallery, New York (part of Performa05 Biennal curated by RoseLee Goldberg) (solo)

Disclaimer, IBID Projects, London (solo)

Carey Young, Trafo Gallery, Budapest (solo)

I am not a feminist. I am normal., Austrian Cultural Institute, London, England

Black Friday, Galerie Kamm, Berlin, Germany

Carey Young, Index, Stockholm (solo)

2004

Disclaimer, Henry Moore Institute, Leeds (solo)

I Believe in You, web and mobile phone project, launched at Tate Britain (solo)

2003

A Short History of Performance - Part II, Whitechapel Gallery, London, England

Electric Earth, State Russian Museum (St Petersburg) & tour; curated by the British Council

Carey Young, IBID Projects, Vilnius (solo)

2002 - 2004

Viral Marketing, Kunstverein München,various works created within or in relation to the Kunstverein’s marketing structure (solo)

2002

The Passions of the Good Citizen, apex art, New York (curated by Heather Felty)

Exchange and Transform (Arbeitstitel), Kunstverein Munich

2001 - 2002

Business as Usual, John Hansard Gallery, Southampton, Angel Row, Nottingham; Firstsite, Colchester (curated and organised by Film & Video Umbrella) (solo)

Look Out: Artists’ Reactions to Contemporary Social and Political Events, curated by Peter Kennard, Pitshanger Manor, London, England

2001

My Megastore, site-specific works at Virgin Megastore, London, England (solo)

Ausgetraumt (Without Dreams), Secession, Vienna (curated by Kathrin Rhomberg)

2000

Nothing Ventured, fig-1, London, England (solo)

Media Art 2000, Metropolitan Museum of Modern Art, Seoul Biennale, Seoul (curated by Jeremy Millar & Barbara London)

Continuum001, Centre for Contemporary Art, Glasgow (curated by Rebecca Gordon Nesbitt)

1999

EXIT, Art & Cinema at the End of the Century, Chisenhale Gallery, London, England

CRASH!, Institute of Contemporary Art, London, England

1997

Zones of Disturbance / Zonen der Ver-Storung, Marieninstitut, Graz, as part of Steirisher Herbst (curated by Silvia Eiblmayr)

1995

Stream, with Sophy Rickett & Rut Blees Luxemburg, plummet, London, England