Artworks by Walid Raad at Paula Cooper Gallery on artnet

Walid Raad

(Lebanese, born 1967)

Walid Raad

Sweet Talk: Commissions (Beirut) _ Plate 398, 2010

Price on Request

Walid Raad

Civilizationally, We Do Not Dig Holes To Bury Ourselves (plate 935), 1958-59/2003

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Walid Raad

Hostage: The Bachar Tapes (English Version), 2000

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Walid Raad

Epilogue: The Gold and Silver_Moth, 2021

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Walid Raad

Epilogue: The Gold and Silver_Roaches, 2021

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Walid Raad

Epilogue: The Gold and Silver_Ants, 2021

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Walid Raad

Epilogue: The Gold and Silver_Flies, 2021

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Biography

Timeline

1967: Born in Chbanieh, Lebanon
: Born in Chbanieh, Lebanon
1984 - 1985: Boston University
: Boston University
1985 - 1989: Rochester Institute of Technology, Undergraduate Education, Fine Arts (Photography), Rochester, NY
: Rochester Institute of Technology, Undergraduate Education, Fine Arts (Photography). Rochester, NY.
1993: University of Rochester, MA in Cultural and Visual Studies. Rochester, NY
: University of Rochester, MA in Cultural and Visual Studies. Rochester, NY
1996: University of Rochester, Ph.D. in Cultural and Visual Studies. Rochester, NY
: University of Rochester, Ph.D. in Cultural and Visual Studies. Rochester, NY
1997: New England Film and Video Festival, Boston, MA (Best Conceptual Innovation Award)
: New England Film and Video Festival, Boston, MA (Best Conceptual Innovation Award)
: Missouri Video Festival, St. Louis, MO (Award of Accomplishment Experimental)
1998: Missouri Video Festival, St. Louis, MO (Award of Accomplishment Experimental)
1999: The Atlas Group was founded in New York, USA by Walid Raad as an imaginary foundation to research and document the contemporary history of Lebanon. The Atlas Group documents are organized and preserved in The Atlas Group Archive. The archive contains authored, found, and newly produced files.
: 8th Biennial of the Moving Image, Switzerland (Grand Prize)
: Beirut Film Festival, Beirut, Lebanon (Best Short Film and Best Scenario for a Short Film)
: Black Maria Film and Video Festival, New Jersey (Director’s Citation)
: 8th Biennial of the Moving Image, Switzerland (Grand Prize)
: Beirut Film Festival, Beirut, Lebanon, (Best Short Film and Best Scenario for a Short Film)
: Black Maria Film and Video Festival, New Jersey, 1999 (Director’s Citation)
: The Atlas Group was founded in New York, USA by Walid Raad as an imaginary foundation to research and document the contemporary history of Lebanon. The Atlas Group documents are organized and preserved in The Atlas Group Archive. The archive contains authored, found, and newly produced files.
: Whitney Biennial, Whitney Museum of American Art, New York, USA
: 5th Biennial of Arab Cinemas, Institut du Monde Arabe, Paris, France (Special Jury Prize)
: San Francisco International Film Festival, SF, CA, USA(Certificate of Merit)
: VideoEx, Zurich, Switzerland (First Prize)
: Whitney Biennial, Whitney Museum of American Art, New York, USA
: 5th Biennial of Arab Cinemas, Institut du Monde Arabe, Paris, France (Special Jury Prize)
2000: San Francisco International Film Festival, SF, CA, USA (Certificate of Merit)
: VideoEx, Zurich, Switzerland (First Prize)
2001: Video Ex, Zurich, Switzerland (First Prize)
: Oberhausen Film and VideoFest, Oberhausen, Germany (Rhineland Award)
: Video Ex, Zurich, Switzerland(First Prize)
: Oberhausen Film and VideoFest, Oberhausen, Germany (Rhineland Award)
: Black Maria Festival (Juror Citation Award)
: Whitney Bienniale, Whitney Museum of American Art, New York, USA
: Documenta 11, Kassel, Germany
: Media Arts Awards, ZKM, Karlsrhue, Germany (Special Prize)
: Oneiras Film and Video Festival, Lisboa, Portugal (First Prize)
: Onion City Experimental Film and Video Festival (First Prize)
: Vidarte 2002 Festival, Mexico City, Mexico(First Prize)
: Whitney Bienniale, Whitney Museum of American Art, New York, USA
: Documenta 11, Kassel, Germany
: Media Arts Awards, ZKM, Karlsrhue, Germany (Special Prize)
: Oneiras Film and Video Festival, Lisboa, Portugal (First Prize)
: Vidarte 2002 Festival, Mexico City, Mexico (First Prize)
2002: Onion City Experimental Film and Video Festival (First Prize)
: Black Maria Festival (Juror Citation Award)
2006: Rencontres d’Arles, Lauréat d’Aide au projet (Help for a new project), Arles, France
: Rencontres d’Arles, “Lauréat d’Aide au projet” (Help for a new project), Arles, France
: The Alpert Award in the Arts (First Prize)
: The Alpert Award in the Arts (First Prize)
2007: Deutsche Börse Photography Prize (First Prize)
: Deutsche Börse Photography Prize (First Prize)
2011: Hasselblad Award
: Hasselblad Award
: As a member of the Arab Image Foundation, Walid Raad has co-curated with Akram Zaatari the installation titled, “Mapping Sitting”.
: As a member of the Arab Image Foundation, Walid Raad has co-curated with Akram Zaatari the installation titled, “Mapping Sitting”.
: Lives in Beirut and New York
: Lives in Beirut and New York

Exhibitions

2015: Museum of Modern Art, New York, USA
: Museum of Modern Art, New York, USA
2014: Sweet Talk: Commissions, University of Contemporary Art, Amherst, MA, USA (solo)
: Walid Raad, Anthony Reynolds Gallery, London, United Kingdom (solo)
: Marrakech Biennial 5, Marrakech, Morocco (group)
: Sweet Talk: Commissions, University of Contemporary Art, Amherst, MA, USA (solo)
: Walid Raad Préface, Carré d'Art, Musée d'art contemporain, Nimes, France (solo)
: Walid Raad. Preface to the First English Edition, Anthony Reynolds Gallery, London, United Kingdom (solo)
: Aichi Tiennale, Aichi, Japan
: Aichi Tiennale, Aichi, Japan
: Art Basel Unlimited. Views from Outer to Inner Compartments, Basel, Switzerland (solo)
: in progress. Werl aus der mumok Sammlung, MUMOK, Vienna, Austria
: Neue Galerie – neu gesehen, Neue Galerie, Kassel, Germany
: in progress. Werl aus der mumok Sammlung, MUMOK, Vienna, Austria
: Art Basel Unlimited. Views from Outer to Inner Compartments, Basel, Switzerland
: Views from Outer to Inner Compartments, Basel Unlimited, Basel, Switzerland (solo)
: Walid Raad - Preface to the First EditionLouvre, Paris, France (solo)
: REALITÄT UND FIKTION, Villa Schöningen, Potsdam, Germany
: Neue Galerie – neu gesehen, Neue Galerie, Kassel, Germany
: Views from Outer to Inner Compartments, Basel Unlimited, Basel, Switzerland (solo)
: A Different Kind of Order: The ICP Triennial, International Center of Photography, New York
: REALITÄT UND FIKTION, Villa Schöningen, Potsdam, Germany
2013: Walid Raad - Preface to the First EditionLouvre, Paris, France (solo)
: A Different Kind of Order: The ICP Triennial, International Center of Photography, New York
: Scratching on Things I Could Disavow, Sfeir-Semler Gallery, Beirut (solo)
: Scratching on Things I Could Disavow, Sfeir-Semler Gallery, Beirut (solo)
2012 - 2013: The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, USA
: The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, USA
2012: RAY: MAKING HISTORY, MMK Frankfurt; Frankfurter Kunstverein, Frankfurt, Germany
: dOCUMENTA (13), Kassel, Germany
: RAY: MAKING HISTORY, MMK Frankfurt; Frankfurter Kunstverein, Frankfurt, Germany
: dOCUMENTA (13), Kassel, Germany
: Fremde überall - Foreigners everywhere, Jüdisches Museum Wien, Austria
: Bleibender Wert? Haltbarkeit und Verfall kritischer Publizistik. Kooperation "springerin", Kunsthaus Bregenz, Austria
2011 - 2012: Abstract Possible: The Stockholm Synergies Tensta Konsthall, Spanga
: Walid Ra´ad - 2011 Hasselblad Award HASSELBLAD CENTER Göteborg (solo)
: Walid Ra´ad - 2011 Hasselblad Award HASSELBLAD CENTER Göteborg (solo)
: Scratching on Things I Could Disavow: A History of Art in the Arab World, TBA 21, Vienna, Austria (solo)
: Walid Raad - Hasselblad Award 2011, Hasselblad Foundation, Gothenburg, Sweden (solo)
: Scratching on Things I Could Disavow: A History of Art in the Arab World, TBA 21, Vienna, Austria (solo)
: Wunder Kunst, Religion und Wissenschaft vom 4. Jahrhundert bis zur Gegenwart, Deichtorhallen Hamburg, Germany / Kunsthalle Krens, Austria
: Wild Sky, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
: Serious Games - Krieg, Medien Kunst, Mathildenhöhe Darmstadt, Germany
: Antiphotojournalism Foam, Photography Museum, Amsterdam
: Kunsthalle Zürich, Switzerland (solo)
: The Luminous Interval: The D. Daskalopoulos Collection, Guggenheim Bilbao, Bilbao
: 10. Sharjah Biennial, United Arab Emirates
: Kunsthalle Zürich, Switzerland (solo)
: 10. Sharjah Biennial, United Arab Emirates
: Antiphotojournalism, FOAM, Amsterdam
: Walid Ra´ad. Scratching on Things I Could Disavow Thyssen-Bornemisza Art Contemporary, Wien (solo)
: SERIOUS GAMES - Krieg – Medien – Kunst Mathildenhöhe Darmstadt
: The Luminous Interval Guggenheim - Bilbao
: ATLAS. How to Carry the World on One´s Back? ZKM, Karlsruhe
: Walid Ra´ad. Scratching on Things I Could Disavow Thyssen-Bornemisza Art Contemporary, Wien (solo)
: Unheimlich vertraut. Bilder vom Terror C/O Berlin, Berlin
: HAUNTINGS – GHOST BOX MEDIA KUNSTVEREIN MEDIENTURM Graz
: Until it makes sense Kadist Art Foundation, Paris
: Abstract Possible: The Stockholm Synergies Tensta Konsthall, Spanga
: ATLAS. How to Carry the World on One´s Back? ZKM, Karlsruhe
: Unheimlich vertraut. Bilder vom Terror C/O Berlin, Berlin
: HAUNTINGS – GHOST BOX MEDIA KUNSTVEREIN MEDIENTURM Graz
2011: Until it makes sense Kadist Art Foundation, Paris
: The Luminous Interval: The D. Daskalopoulos Collection, Guggenheim Bilbao, Bilbao
: Zukunft der Tradition – Tradition der Zukunft, Haus der Kunst, Munich, Germany
: Told-Retold-Untold, Qatar
: Miraculous Beginnings, Whitechapel Gallery, London; Bildmuseet, Umea; Kunsthalle, Zürich, Switzerland (solo)
: Miraculous Beginnings, Whitechapel Gallery, London; Bildmuseet, Umea; Kunsthalle, Zürich, Switzerland (solo)
2010 - 2011: Told-Retold-Untold, Qatar
: Haunted: Contemporary Photography, Video, Performance, Guggenheim Bilbao, Bilbao
: Haunted: Contemporary Photography, Video, Performance, Guggenheim Bilbao, Bilbao
: Alles anders?, Kunsthalle Wien, Austria
: Sweet Talk: Commissions (Beirut), Camera Austria, Graz, Austria (solo)
: Contemplating the Void: Interventions in the Guggenheim Museum (An Anniversary Benefit Exhibition), The Solomon R. Guggenheim Museum, New York, NY
: Vernacular of Violence, curated by Lisa Kirk, Invisible-Exports, New York, NY
: Pictures & Statues, Country Club, Cincinnati, OH
: Art of War, curated by Sean Donaher, CEPA Gallery, Buffalo, NY
: Media City Seoul 2010 (The 6th Seoul International Media Art Biennale): Trust, Seoul Museum of Art, Seoul, South Korea
: Festival d’Automne, Paris, France
: Camera Austria, Graz
: Márgenes de Silencio, Foundation Helga de Alvear, Madrid
: Zukunft der Tradition – Tradition der Zukunft, Haus der Kunst, Munich, Germany
: Art of War, curated by Sean Donaher, CEPA Gallery, Buffalo, NY
2010: Festival d’Automne, Paris, France
: Camera Austria, Vienna, Austria (solo)
: Márgenes de Silencio, Foundation Helga de Alvear, Madrid
: Walid Raad, Camera Austria, Austria (solo)
: Walid Raad, Camera Austria, Austria (solo)
: Antiphotojournalism, La Virreina Centre de la Imatge, Barcelona
: Media City Seoul 2010 (The 6th Seoul International Media Art Biennale): Trust, Seoul Museum of Art, Seoul, South Korea
: Contemplating the Void: Interventions in the Guggenheim Museum (An Anniversary Benefit Exhibition), The Solomon R. Guggenheim Museum, New York, NY
: Vernacular of Violence, curated by Lisa Kirk, Invisible-Exports, New York, NY
: Pictures & Statues, Country Club, Cincinnati, OH
: Sweet Talk: Commissions (Beirut), Camera Austria, Graz, Austria (solo)
: The Atlas Group (1989- 2004). Un Proyecto de Walid Raad, Reina Sofia, Madrid (solo)
: Scratching on Things I Could Disavow: A History of Art in the Arab World, Galerie Sfeir-Semler, Hamburg, Germany (solo)
: 1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, Fondazione Antonio Ratti, Como Walid Raad, Paula Cooper, New York (solo)
: Scratching on Things I Could Disavow, A History of Art in the Arab World,Part 1_Volume (solo)
: 1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, RedCat, Los Angeles (solo)
: 1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, Fondazione Antonio Ratti, Como Walid Raad, Paula Cooper, New York (solo)
: Walid Raad, Scratching on Things I Could Disavow, 25 September – 31 October 2009 at Anthony Reynolds Gallery, London (solo)
: 1_Chapter 1, Beirut 1992-2005, a project by Walid Raad, RedCat, Los Angeles (solo)
: The Atlas Group (1989- 2004). Un Proyecto de Walid Raad, Reina Sofia, Madrid (solo)
: Scratching on Things I Could Disavow, A History of Art in the Arab World,Part 1_Volume (solo)
: Scratching on Things I Could Disavow: A history of art in the Arab world _ Part I _Volume 1 _ Chapter 1:Beirut (1992-2005), Paula Cooper Gallery,New York, NY (solo)
: Walid Raad, Scratching on Things I Could Disavow, 25 September – 31 October 2009 at Anthony Reynolds Gallery, London (solo)
: Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World, part 1 volume 1_chapter 1: Beirut (1992-2005), Spazio San Francesco, Italy (solo)
: Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World. REDCAT, Los Angeles, CA (solo)
: Taswir – Pictorial Mappings of Islam and Modernity, organized by the Berliner Festspiele, Martin Gropius Bau, Berlin, Germany
: Scratching on Things I Could Disavow: A History of Art in the Arab World, Galerie Sfeir-Semler, Hamburg, Germany (solo)
: Scratching on Things I Could Disavow: A history of art in the Arab world _ Part I _Volume 1 _ Chapter 1:Beirut (1992-2005), Paula Cooper Gallery,New York, NY (solo)
: Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World, part 1 volume 1_chapter 1: Beirut (1992-2005), Spazio San Francesco, Italy (solo)
: Scratching on Things I Could Disavow: A History of Modern and Contemporary Art in the Arab World. REDCAT, Los Angeles, CA (solo)
: Taswir – Pictorial Mappings of Islam and Modernity, organized by the Berliner Festspiele, Martin Gropius Bau, Berlin, Germany
2009: Sfeir-Semler Gallery, Hamburg, Germany (solo)
: Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod, Fotomuseum Winterthur, Winterthur, Switzerland
: Commentary, Paula Cooper Gallery, New York, NY
: Commentary, Paula Cooper Gallery, New York, NY
: Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod, Fotomuseum Winterthur, Winterthur, Switzerland
: International Festival for Arts and Media Yokohama, Shinko Pier Exhibition Hall and BankART Studio NYK, Yokohama, Japan
: International Festival for Arts and Media Yokohama, Shinko Pier Exhibition Hall and BankART Studio NYK, Yokohama, Japan
2008 - 2009: Walid Raad. I MIGHT DIE BEFORE I GET A RIFLE, Kunstverein Heidelberg, Germany (solo)
: Archive Fever, International Center of Photography, New York, NY
: Quadrennial for Contemporary Art, Copenhagen
: Montpellier Festival, Montpellier
: A History of Modern and Contemporary Arab Art: Part I_Chapter 1: Beirut (1992-2005), Sfeir-Semler, Beirut (solo)
: Curating Architecture, The Showroom, London
: Selected Works by Gallery Artists, Anthony Reynolds Gallery, London
: Deadpan: Photography and History, James Gallery, CUNY Graduate Centre, New York
: 2Move: Irland, Belfast Exposed Photography and Solstice Art Centre, Belfast- Navan
: Curating Architecture, The Showroom, London
: MFA, Houston, TX (solo)
: Not Quite How I Remember It, Power Plant, Toronto
: List Art Center, Brown University, Providence, RI
: Selected Works by Gallery Artists, Anthony Reynolds Gallery, London
: Quadrennial for Contemporary Art, Copenhagen
: Archive Fever, International Center of Photography, New York
: MFA, Houston (solo)
: List Art Center, Brown University, Providence, Rhode Island USA
: Heidelberg Kunstverein, Heidelberg (solo)
: 2Move: Irland, Belfast Exposed Photography and Solstice Art Centre, Belfast- Navan
: Deadpan: Photography and History, James Gallery, CUNY Graduate Centre, New York
: Not Quite How I Remember It, Power Plant, Toronto
2008: A History of Modern and Contemporary Arab Art: Part I_Chapter 1: Beirut (1992-2005), Sfeir-Semler, Beirut (solo)
: Montpellier Festival, Montpellier
: Brave New Worlds, Walker Art Center, Minneapolis (solo)
2007 - 2009: Brave New Worlds, Walker Art Center, Minneapolis, MN (solo)
: Re-Thinking Beirut, aMAZE cultural lab, Milan
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Deutsche Börse Group’s headquarters, Frankfurt
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Photographers Gallery, London
: In The Poem About Love You Don`t Write The World Love, Overgaden Institute of Contemporary Art, Copenhagen
: Sfeir-Semler, Hamburg (solo)
: cross-Border:Photography and Video Art from the MUMOK Vienna, Kunstmuseum, Stuttgart (solo)
: The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition,Culturgest, Lisbon (solo)
: The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition, Museo Tamayo Arte Contemporaneo, Mexico (solo)
: Sfeir-Semler, Beirut (solo)
: 6th Mercosur Biennial, (I Only Wish That I Could Weep), Porto Alegre, Brazil
: Sfeir-Semler Gallery, Beirut (solo)
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, C/O Gallery, Berlin
: Her(his)tory, N.P. Goulandris Foundation - Museum of Cycladic Art, Athens
: (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.) A Project by Walid Raad, Paula Cooper Gallery, New York
: AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, University of Hertfordshire Galleries, Hatfield
: AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, Sainsbury Centre for Visual Arts
: 3rd Auckland Triennial, Auckland
: Documents, the Memory of the Future, touring exhibition, Museo de Arte Contemporaneo de Vigo, Spain
: Documents, the Memory of the Future, touring exhibition, Koldo Mitxelena Kulturunea, San Sebastian, Spain
: Ah, les belles images!, in Situ-Fabienne Leclerc, Paris
: Distorted Fabric, De Appel Museum, Amsterdam
: CLUB VOYEUR: CORCORAN, Strategies of Confinement in the Age of Biopolitics
: Montevideo Time Based Arts, Amsterdam
: Under the Same Sky, Det Nationale Fotomuseum, Copenhagen
: No place, Cheekwood Museum, Nashville, Tennessee
: A Project by Walid Raad, Henry Art Gallery, Seattle (solo)
: The Screen eye or The New Image, Casino Luxembourg Forum d'Art Contemporain, Luxembourg
: Montevideo Time Based Arts, Amsterdam
2007: Sfeir-Semler, Hamburg (solo)
: Sfeir-Semler, Beirut (solo)
: The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition,Culturgest, Lisbon (solo)
: cross-Border:Photography and Video Art from the MUMOK Vienna, Kunstmuseum, Stuttgart (solo)
: Sfeir-Semler Gallery, Beirut (solo)
: In The Poem About Love You Don`t Write The World Love, Overgaden Institute of Contemporary Art, Copenhagen
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Photographers Gallery, London
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, Deutsche Börse Group’s headquarters, Frankfurt
: (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.)
: Re-Thinking Beirut, aMAZE cultural lab, Milan
: 6th Mercosur Biennial, (I Only Wish That I Could Weep), Porto Alegre, Brazil
: Deutsche Börse Photography Prize 2007 (The Atlas Group Project), touring exhibition, C/O Gallery, Berlin
: The Atlas Group (1989-2004), a project by Walid Raad, touring exhibition, Museo Tamayo Arte Contemporaneo, Mexico (solo)
: (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.) A Project by Walid Raad, Paula Cooper Gallery, New York
: No place, Cheekwood Museum, Nashville, Tennessee
: Distorted Fabric, De Appel Museum, Amsterdam
: Ah, les belles images!, in Situ-Fabienne Leclerc, Paris
: Documents, the Memory of the Future, touring exhibition, Koldo Mitxelena Kulturunea, San Sebastian, Spain
: Documents, the Memory of the Future, touring exhibition, Museo de Arte Contemporaneo de Vigo, Spain
: CLUB VOYEUR: CORCORAN, Strategies of Confinement in the Age of Biopolitics
: 3rd Auckland Triennial, Auckland
: AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, Sainsbury Centre for Visual Arts
: The Screen eye or The New Image, Casino Luxembourg Forum d'Art Contemporain, Luxembourg
: AfterShock – Conflict, Violence, and Resolution in Contemporary Art, touring exhibition, University of Hertfordshire Galleries, Hatfield
: Her(his)tory, N.P. Goulandris Foundation - Museum of Cycladic Art, Athens
2006 - 2007: (We Decided to Let Them Say “We Are Convinced” Twice. It Was More Convincing This Way.)
: A Project by Walid Raad, Henry Art Gallery, Seattle (solo)
: Under the Same Sky, Det Nationale Fotomuseum, Copenhagen
: Grey Flags, touring exhibition, Sculpture Center, Long Island City, NY
: Une vision du monde - la collection video d' Jean-Conrad et Isabel Lemaitre, La Maison Rouge, Paris (cat.)
: Ghost in the Machine, SF Camerawork, San Francisco
: Raw, Olot, Barcelona
: Video Sequence 2, Maison des Arts, Malakoff
: Faith, Real Art Ways, Hartford, Connecticut
: While we were sleeping, Platform Garanti Contemporary Art Center, Istambul
: Out of Beirut, Museum of Modern Art Oxford
: Sydney Biennale
: 100 Tag =100 Videos, Heidelberger Kunstverein e.V., Heidelberg
: Migros Museum, Zurich (solo)
: National Galerie im Hamburger Bahnhof, Berlin (solo)
: Concordia Art Gallery, Kingston, Canada (solo)
: The Kitchen, New York (solo)
: Seventeen days of Looking, MOMA, New York
: Grey Flags, touring exhibition, Capc-Musée d'Art Contemporain de Bordeaux, Bordeaux
: Word into Art – Artists from the Modern Middle East, British Museum, London
: Video: an Art, a History, Miami Art Central (MAC), Miami
: While we were sleeping, Platform Garanti Contemporary Art Center, Istambul
: Word into Art – Artists from the Modern Middle East, British Museum, London
: 100 Tag =100 Videos, Heidelberger Kunstverein e.V., Heidelberg
2006: Sydney Biennale
: "Seventeen days of Looking", MOMA, New York
: Migros Museum, Zurich (solo)
: National Galerie im Hamburger Bahnhof, Berlin (solo)
: The Kitchen, New York (solo)
: Video: an Art, a History, Miami Art Central (MAC), Miami
: Grey Flags, touring exhibition, Capc-Musée d'Art Contemporain de Bordeaux, Bordeaux
: Concordia Art Gallery, Kingston, Canada (solo)
: Ghost in the Machine, SF Camerawork, San Francisco
: Raw, Olot, Barcelona
: Video Sequence 2, Maison des Arts, Malakoff
: Faith, Real Art Ways, Hartford, Connecticut
: Une vision du monde - la collection video d' Jean-Conrad et Isabel Lemaitre, La Maison Rouge, Paris (cat.)
: Out of Beirut, Museum of Modern Art Oxford
: Grey Flags, touring exhibition, Sculpture Center, Long Island City, NY
: "Flight 405" , Sfeir-Semler Gallery, Beirut
: Flight 405, Galerie Sfeir-Semler, Beirut
: Funny How Thin This Line Is: Documents from The Atlas Group Archive, FACT, Liverpool (solo)
: Contemporary Arts Center, Cincinnati, Ohio (solo)
: Queen’s University, Kingston, Ontario (solo)
: Mapping Sitting, Grey Art Gallery, New York (with the Arab Image Foundation) (solo)
: Borrowed Time, Pratt Manhattan Gallery, New York
: "Flight 405", Galerie Sfeir-Semler, Hamburg
: Kunstverein Bregenz
: Le Magasin, Grenoble
: Art Gallery of York University, Toronto
: Museum for Contemporary Art, Montreal (solo)
: Gallery Reynolds, London (solo)
: Fact, Liverpool, Great Britain (solo)
: The Kitchen, New York (solo)
: Information/Transformation, Extra City Center for Contemporary Art, Antwerpen
: In the Poem about Love you don't write the word Love, CCA, Glasgow
: Mirage, Alexander and Bonin, New York
: Contemporary Feature and The Davies Foundation Galleries
: Information/Transformation, Extra City Center for Contemporary Art, Antwerpen
: Sfeir-Semler Gallery, Beirut Lebanon (solo)
: Le Magasin, Grenoble
: In the Poem about Love you don't write the word Love, CCA, Glasgow
2005: Flight 405, Galerie Sfeir-Semler, Hamburg
: Flight 405, Sfeir-Semler Gallery, Beirut
: Kunstverein Bregenz
: Contemporary Feature and The Davies Foundation Galleries
: Art Gallery of York University, Toronto
: Museum for Contemporary Art, Montreal (solo)
: Fact, Liverpool, Great Britain (solo)
: The Kitchen, New York (solo)
: Gallery Reynolds, London (solo)
: Le Magasin, Grenoble
: Borrowed Time, Pratt Manhattan Gallery, New York
: Sfeir-Semler Gallery, Beirut Lebanon (solo)
: Queen’s University, Kingston, Ontario (solo)
: Contemporary Arts Center, Cincinnati, Ohio (solo)
: Mapping Sitting, Grey Art Gallery, New York (with the Arab Image Foundation) (solo)
: Mirage, Alexander and Bonin, New York
: Information/Transformation, Extra City Center for Contemporary Art, Antwerp
: In the Poem about Love you don't write the word Love, CCA, Glasgow
: Funny How Thin This Line Is: Documents from The Atlas Group Archive, FACT, Liverpool (solo)
: Palais de Tokyo, Paris. I/P
: Sfeir Semmler, Hamburg. I
: University of Illinois Krannert Art Museum, Illinois. I
: Beyond East and West: Seven Transnational Artists (with Rovner, Amer, Kami, Sikander, Al-Ani, Hatoum), touring to Hood Museum Dartmouth College, Williams College)
: Ashkal Alwan, Beirut. I and premiere of new project
: Kunsten Festival des Arts, Brussels. I/P
: House of World Culture, Berlin. I/P
: Sfeir Semmler, Hamburg. I
: University of Illinois Krannert Art Museum, Illinois. I
: Beyond East and West: Seven Transnational Artists (with Rovner, Amer, Kami, Sikander, Al-Ani, Hatoum), touring to Hood Museum Dartmouth College, Williams College)
: Ashkal Alwan, Beirut. I and premiere of new project
: Kunsten Festival des Arts, Brussels. I/P
: Palais de Tokyo, Paris. I/P
2004: House of World Culture, Berlin. I/P
: Mousonturm, Frankfurt. P
: La Gallerie Noisy le Sec. I
: In Transit, House of World Cultures, Berlin. P
: Whitechapel Art Gallery, London. P
: Anthony Reynolds Gallery, London. I
: Global Priority, University of Massachussetts, Mass. I
: Experimenta 03, Cardiff. P
: Musee Niepce, Chalon sur Soane. P_Mapping Sitting (Arab Image Foundation)
: Video Brasil, Sao Paolo. P/ I Mapping Sitting (Arab Image Foundation)
: 50 Biennale di Venezia, Venice. I/V
: Belluard Theater Festival, Fribourg. P
: Hanover Kunstverein, Hanover. I
: Disorientation, House of World Cultures, Berlin. P / I_Mapping Sitting (Arab Image Foundation)
: Kunstnernes Hus, Oslo. I_Mapping Sitting (Arab Image Foundation)
: New York University, New York. P
: Carnegie Mellon University, Pittsburgh. P
: Columbia University, New York. P
: Witness, Barbican Centre, London. V
: Kampnagel, Hamburg. P
: Portland Institute of Contemporary Art, Oregon.
: Spiel Art, Munich. P
: Witness, Barbican Centre, London. V
: In Transit, House of World Cultures, Berlin. P
: Hanover Kunstverein, Hanover. I
: Mousonturm, Frankfurt. P
: La Gallerie Noisy le Sec. I
: Spiel Art, Munich. P
: Whitechapel Art Gallery, London. P
: Anthony Reynolds Gallery, London. I
: Global Priority, University of Massachussetts, Mass. I
: Experimenta 03, Cardiff. P
2003: Portland Institute of Contemporary Art, Oregon
: Video Brasil, Sao Paolo. P/ I Mapping Sitting (Arab Image Foundation)
: Kampnagel, Hamburg. P
: Belluard Theater Festival, Fribourg. P
: 50 Biennale di Venezia, Venice. I/V
: Disorientation, House of World Cultures, Berlin. P / I_Mapping Sitting (Arab Image Foundation)
: Kunstnernes Hus, Oslo. I_Mapping Sitting (Arab Image Foundation)
: New York University, New York. P
: Carnegie Mellon University, Pittsburgh. P
: Musee Niepce, Chalon sur Soane. P_Mapping Sitting (Arab Image Foundation)
: Columbia University, New York. P
: Mousonturm, Frankfurt. P
: Princeton University Art Museum, Princeton, NJ. I
: Witte de With, Rotterdam. I
: MEMEAC, CUNY Graduate Center, New York. P
: Palais des Beaux Arts, Brussels. I_Mapping Sitting (Arab Image Foundation)
: Fondacio Antoni Tapies, Barcelona. I/P
: Watson Insitute for International Studies, Providence, Rhode Island. I
: Migros Museum for Contemporary Arts, Zurich. V/P
: Saratoga Springs Public Library, Saratoga Springs, New York. P
: 2002 Whitney Biennale, Whitney Museum of American Art, New York. P
: What, A Tale of Images, Memling Museum, Brugge. I
: Atlanta Center for the Arts, Atlanta. I
: Akademie Schloss Solitude, Stuttgart. P
: Foundation Cartier, Paris. P
: Rotterdam Film Festival, Rotterdam. V
: Negation and Consumption, Ocularis Cinema, Williamsburg, NY. V
: Documenta11, Kassel. I/P
: Eurokaz Festival, Zagreb. P
: Real Art Ways, Hartford, Connecticut. V/P
: 2002 Whitney Biennale, Whitney Museum of American Art, New York. P
: Rotterdam Film Festival, Rotterdam. V
2002: Real Art Ways, Hartford, Connecticut. V/P
: Documenta11, Kassel. I/P
: Witte de With, Rotterdam. I
: Palais des Beaux Arts, Brussels. I_Mapping Sitting (Arab Image Foundation)
: MEMEAC, CUNY Graduate Center, New York. P
: Negation and Consumption, Ocularis Cinema, Williamsburg, NY. V
: Princeton University Art Museum, Princeton, NJ. I
: Mousonturm, Frankfurt. P
: Watson Insitute for International Studies, Providence, Rhode Island. I
: Migros Museum for Contemporary Arts, Zurich. V/P
: Eurokaz Festival, Zagreb. P
: What, A Tale of Images, Memling Museum, Brugge. I
: Saratoga Springs Public Library, Saratoga Springs, New York. P
: Atlanta Center for the Arts, Atlanta. I
: Akademie Schloss Solitude, Stuttgart. P
: Foundation Cartier, Paris. P
: Fondacio Antoni Tapies, Barcelona. I/P
: V = Video Screening
: I = Installation
: V = Video Screening
: P = Performance/Lecture
: I = Installation
: P = Performance/Lecture

Public Collections

: IFEMA, Madrid, Spain Kunstmuseum Stuttgart, Germany
: FRAC Languedoc Roussillon, Montpellier, France
: MUMOK, Museum Moderner Kunst, Vienna, Austria
: Museum für Moderne Kunst, Frankfurt/Main, Germany
: TATE Modern, London, United Kingdom
: Kunsthaus Zürich, Zurich, Switzerland
: FNAC, Centre National des Arts Plastiques, Paris, France
: Kunsthalle Hamburg, Galerie der Gegenwart, Hamburg, Germany
: MOMA, Museum Of Modern Art, New York, USA
: IFEMA, Madrid, Spain Kunstmuseum Stuttgart, Germany
: Centre National d´Art et de Culture Georges Pompidou, Paris, France
: Museum of Contemporary Art, Athena, Greece
: FRAC Languedoc Roussillon, Montpellier, France
: MUMOK, Museum Moderner Kunst, Vienna, Austria
: Museum für Moderne Kunst, Frankfurt/Main, Germany
: TATE Modern, London, United Kingdom
: Kunsthaus Zürich, Zurich, Switzerland
: FNAC, Centre National des Arts Plastiques, Paris, France
: Kunsthalle Hamburg, Galerie der Gegenwart, Hamburg, Germany
: MOMA, Museum Of Modern Art, New York, USA
: Museum of Contemporary Art, Athena, Greece
: Centre National d´Art et de Culture Georges Pompidou, Paris, France

Literature

2011: Ben Davis, ‘Walid Raad on Why the Guggenheim Abu Dhabi Must Be Built On a Foundation of Workers’ Rights’, www.artinfo.com, 16 June
: Ben Davis, ‘Walid Raad on Why the Guggenheim Abu Dhabi Must Be Built On a Foundation of Workers’ Rights’, www.artinfo.com, 16 June
: Francis Hodgson, ‘Walid Raad, Whitechapel Gallery, London’, www.ft.com 13th December
: Ossian Ward , ‘Walid Raad’, Time Out (London), 25 November – 1 December
: Ed. Achim Borchardt-Hume, 'Miraculous Beginnings: Walid Raad', catalogue, Whitechapel Gallery Press
: ‘Márgenes de Silencio’, Essay by José María Viñuela, Centro de Artes Visuales de Cáceres, June
: Alice Pfeiffer, ‘Paging Atlas Group’, Artinamerica.com, 4 November
: Lou Forster, ‘Walid Raad, L’Archive en délai’, Art21, Autumn
: Sue Steward, ‘Obsessed by Lebanon’s Past’, Evening Standard, 22 October
: ‘Walid Raad: Sweet Talk: Commisions (Beirut)’, Camera Austria, No 111
: JJ Charlesworth, ‘Walid Raad: Miraculous Beginnings’, Art Review, October
: Emma Crichton-Miller, ‘Chaos Theories’, Financial Times (Collecting Supplement), 9 October
: Kaelen Wilson – Goldie, ‘Walid Raad: Miraculous Beginnings’, Previews, Art Forum, September
: Alan Gilbert, ‘Walid Raad (Re)Invents The Archive, Aperture, Spring
: Kathy Battista, ‘A Look at The Hugo Boss Prize 2010’, Res, March
: Yulia Tikhonova, ‘Walid Raad’, Flash Art, March – April
: 21st Century: Art in the First Decade, catalogue, Queensland Art Gallery | Gallery of Modern Art
: Lou Forster, ‘Walid Raad, L’Archive en délai’, Art21, Autumn
: Marcus Verhagen, ‘Walid Raad: Miraculous Beginnings’, Art Monthly, Dec-Jan
: ‘Márgenes de Silencio’, Essay by José María Viñuela, Centro de Artes Visuales de Cáceres, June
2010: Sue Steward, ‘Obsessed by Lebanon’s Past’, Evening Standard, 22 October
: ‘Walid Raad: Sweet Talk: Commisions (Beirut)’, Camera Austria, No 111
: JJ Charlesworth, ‘Walid Raad: Miraculous Beginnings’, Art Review, October
: Emma Crichton-Miller, ‘Chaos Theories’, Financial Times (Collecting Supplement), 9 October
: Alice Pfeiffer, ‘Paging Atlas Group’, Artinamerica.com, 4 November
: Kaelen Wilson – Goldie, ‘Walid Raad: Miraculous Beginnings’, Previews, Art Forum, September
: Alan Gilbert, ‘Walid Raad (Re)Invents The Archive, Aperture, Spring
: Emma Crichton-Miller, ‘Chaos Theories’, Financial Times (Collecting Supplement), 9 October
: Yulia Tikhonova, ‘Walid Raad’, Flash Art, March – April
: 21st Century: Art in the First Decade, catalogue, Queensland Art Gallery | Gallery of Modern Art
: Francis Hodgson, ‘Walid Raad, Whitechapel Gallery, London’, www.ft.com 13th December
: Marcus Verhagen, ‘Walid Raad: Miraculous Beginnings’, Art Monthly, Dec-Jan
: Ossian Ward , ‘Walid Raad’, Time Out (London), 25 November – 1 December
: Ed. Achim Borchardt-Hume, 'Miraculous Beginnings: Walid Raad', catalogue, Whitechapel Gallery Press
: Kathy Battista, ‘A Look at The Hugo Boss Prize 2010’, Res, March
: Vered Maimon, The Third Citizen: On Models of Criticality in Contemporary Art Practices, October Magazine, Summer
: Barbara Casavecchia, ‘Walid Raad, Fondazione Antonio Ratti, Como, Italy’, Frieze, July
: Alessandra Pioselli, ‘Walid Raad’, www.artforum.com, 11 August
: Vered Maimon, The Third Citizen: On Models of Criticality in Contemporary Art Practices, October Magazine, Summer
: Carrie Lambert-Beatty, Make-Believe: Parafiction and Plausibility, October Magazine, Summer 2009
: Barbara Casavecchia, ‘Walid Raad, Fondazione Antonio Ratti, Como, Italy’, Frieze, July
: Alessandra Pioselli, ‘Walid Raad’, www.artforum.com, 11 August
: Carrie Lambert-Beatty, Make-Believe: Parafiction and Plausibility, October Magazine, Summer 2009
: Judith Souriau, ‘Un certain usage de la fiction dans l’art contemporain’, Art Presence, January
: ‘The Atlas Group (1989-2004), a project by Walid Raad’, Art and Text, Black Dog publishing, London
: 1_ Chapter 1 (Beirut: 1992-2005)’, The Brooklyn Rail, December 2009
: Kara L. Rooney, ‘ArtSeen: WALID RAAD: Scratching on Things I Could Disavow: A History of Art in the Arab World / Part 1_Volume
: Judith Souriau, ‘Un certain usage de la fiction dans l’art contemporain’, Art Presence, January
: Ghalya Saadawi, ‘Necessary Fables’, Canvas, March/April
: ‘The Atlas Group (1989-2004), a project by Walid Raad’, Art and Text, Black Dog publishing, London
: 1_ Chapter 1 (Beirut: 1992-2005)’, The Brooklyn Rail, December 2009
2009: Kara L. Rooney, ‘ArtSeen: WALID RAAD: Scratching on Things I Could Disavow: A History of Art in the Arab World / Part 1_Volume
: Ghalya Saadawi, ‘Necessary Fables’, Canvas, March/April
: Benjamin Carlson, ‘The Power Plant, Toronto, Canada’, Frieze, November/ December
: Cristina de Marchi, ‘Beirut. Una questione privata’, Exibart.onpaper, November/December
: Architectur/Talk, ‘Curating Architecture’, www.kulturefalsh.net, 14 December
: Anthony Lappe, ‘Menassat.com doges bullets, bombs and government censors, Tar Mag, premier issue
: Julia Bryan-Wilson ‘Not Quite How I Remember It’, Artforum, May
: Benjamin Carlson, ‘The Power Plant, Toronto, Canada’, Frieze, November/ December
: Cristina de Marchi, ‘Beirut. Una questione privata’, Exibart.onpaper, November/December
: Architectur/Talk, ‘Curating Architecture’, www.kulturefalsh.net, 14 December
: Therese St-Gelais (ed.), ‘The Undecidable – Gaps and Displacements of Contemporary Art’, Les editions esse.
2008: Anthony Lappe, ‘Menassat.com doges bullets, bombs and government censors, Tar Mag, premier issue
: Therese St-Gelais (ed.), ‘The Undecidable – Gaps and Displacements of Contemporary Art’, Les editions esse.
: Julia Bryan-Wilson ‘Not Quite How I Remember It’, Artforum, May
: Ramsay Short, ‘With Lens Like These…’, Tank, Volume 4, Issue 9
2007: Ramsay Short, ‘With Lens Like These…’, Tank, Volume 4, Issue 9
: Andreas Leventis, Home Truths, Modern Painters, May (ill.)
: 'Biennale of Sydney', The Sydney Morning Herald, July
: Nikoleta Szabados, 'Walid Raad, The Bachar Tapes, 2001', Artwrite, online: //blogs.cofa.unsw.edu.au/blog/artwrite, Issue 35, June
: Rosalie Higson, 'Welcome to the Contact Zone', The Australian, June
: Zara Stanhope, ‘An Affair to Remember’, Photofile, nr 78 Spring (ill)
: Tracey Clement, 'Bigger Than Christmas', Cover, Spring
: 'Daring to Be Different', The Canvas Guide / The New Zealand Herald, Spring (ill.)
: Alan Giolbert, 'The Atlas Group/ Walid Raad' , Zones of Contact 2006 Biennale of Sidney (cat.) (ill)
: Martha Schwendener, Critics’ Picks, Gray Flags, Artforum, online:http://www.artforum.com, June
: Tirdad Zolghadr, City Report: Beirut, Frieze, May (ill.)
: Jarrod Rawlins, ‘2006 Biennale of Sidney: Zones of Contact’, Flash Art International, October (ill.)
: Isabelle Dupuis, Reviews, Flash Art, May-June (ill.)
: Kaelen Wilson-Goldie, New Art For A New Middle East, Art and Auction, March (ill.)
: We Can Make Rain But No One Came To Ask: Documents from the Atlas Group Archive, Galerie Leonard & Bina Ellen, Montréal
: Mark Beasley, Back, Frieze, March (ill.)
: Roberta Smith, 'Mixing Fact And Fiction To Open Up Larger Reality', The New York Times, March (ill.)
: ‘The Atlas Group / Walid Raad’, Une Vision du Monde la Collection Video d’Isabelle et Jean Conrad Lemaitre, February (cat.) (ill.)
: Andreas Leventis, The Atlas Group, Modern Painters, February
: Jerry Saltz, 'Interrogation Nation', Village Voice Art, February (ill.)
: Martha Schwendener, 'Walid Raad, "The Dead Weight of a Quarrel Hangs: Documents from The Atlas Group Archive"', February (ill.)
: T.J. Demos, ‘Out of Beirut’, Artforum, October (ill.)
: Emilia Terracciano, On Now On Soon, Flash Art, May-June (ill.)
: Christina Tilmann, ‘ Vampir Erinnerung’, Der Tagesspiegel, 22 September (ill.)
: Rosalie Higson, 'Welcome to the Contact Zone', The Australian, June
: Martha Schwendener, 'Walid Raad, "The Dead Weight of a Quarrel Hangs: Documents from The Atlas Group Archive"', February (ill.)
2006: T.J. Demos, ‘Out of Beirut’, Artforum, October (ill.)
: Christina Tilmann, ‘ Vampir Erinnerung’, Der Tagesspiegel, 22 September (ill.)
: Jarrod Rawlins, ‘2006 Biennale of Sidney: Zones of Contact’, Flash Art International, October (ill.)
: 'Biennale of Sydney', The Sydney Morning Herald, July
: Nikoleta Szabados, 'Walid Raad, The Bachar Tapes, 2001', Artwrite, online: //blogs.cofa.unsw.edu.au/blog/artwrite, Issue 35, June
: Zara Stanhope, ‘An Affair to Remember’, Photofile, nr 78 Spring (ill)
: Tracey Clement, 'Bigger Than Christmas', Cover, Spring
: T.J. Demos, ‘Out of Beirut’, Artforum, October (ill.)
: Alan Giolbert, 'The Atlas Group/ Walid Raad' , Zones of Contact 2006 Biennale of Sidney (cat.) (ill)
: Martha Schwendener, Critics’ Picks, Gray Flags, Artforum, online:http://www.artforum.com, June
: 'Daring to Be Different', The Canvas Guide / The New Zealand Herald, Spring (ill.)
: Tirdad Zolghadr, City Report: Beirut, Frieze, May (ill.)
: Jerry Saltz, 'Interrogation Nation', Village Voice Art, February (ill.)
: Andreas Leventis, The Atlas Group, Modern Painters, February
: Andreas Leventis, Home Truths, Modern Painters, May (ill.)
: Roberta Smith, 'Mixing Fact And Fiction To Open Up Larger Reality', The New York Times, March (ill.)
: Mark Beasley, Back, Frieze, March (ill.)
: ‘The Atlas Group / Walid Raad’, Une Vision du Monde la Collection Video d’Isabelle et Jean Conrad Lemaitre, February (cat.) (ill.)
: We Can Make Rain But No One Came To Ask: Documents from the Atlas Group Archive, Galerie Leonard & Bina Ellen, Montréal
: Kaelen Wilson-Goldie, New Art For A New Middle East, Art and Auction, March (ill.)
: Isabelle Dupuis, Reviews, Flash Art, May-June (ill.)
: Emilia Terracciano, On Now On Soon, Flash Art, May-June (ill.)
: Chen Tamir, The Atlas Group and Walid Raad, Art Gallery of York University,
: Sarah Kent, 'The Atlas Group', Time
: Moira Jeffrey, ‘Love as a Model for Visual Art’, Glasgow Herald, November
: Adrian Searle, 'True Lies', The Guardian, 06 December (ill.)
: Vid Ingelevics, The Atlas Group and Walid Raad, AGYU at Prefix ICA, Torornto, CV ciel variable 66, Mai (ill.)
: The Atlas Group and Walid Raad, Volume 2: My Neck Is Thinner Than A Hair, Buchhandlung Walther König, Köln
: Chen Tamir, The Atlas Group and Walid Raad, Art Gallery of York University
: Sarah Kent, 'The Atlas Group', Time
: Moira Jeffrey, ‘Love as a Model for Visual Art’, Glasgow Herald, November
: Adrian Searle, 'True Lies', The Guardian, 06 December (ill.)
2005: The Atlas Group and Walid Raad, Volume 2: My Neck Is Thinner Than A Hair, Buchhandlung Walther König, Köln
: Vid Ingelevics, The Atlas Group and Walid Raad, AGYU at Prefix ICA, Torornto, CV ciel variable 66, Mai (ill.)
2004: “The Atlas Group”: Kaelen Wilson-Goldie, in: Bidoun, Fall 2004, Issue 02, Volume 01, p. 16-25
: “The Atlas group and Walid Raad”, Volume 1, The Truth Will Be Known When The Last Witness Is Dead, Verlag der Buchhandlung Walther König, 2004
: “Mapping Sitting”, Le Monde. 16.04.2004
: “The Atlas Group”: Kaelen Wilson-Goldie, in: Bidoun, Fall 2004, Issue 02, Volume 01, p. 16-25
: “The Atlas group and Walid Raad”, Volume 1, The Truth Will Be Known When The Last Witness Is Dead, Verlag der Buchhandlung Walther König, 2004
: “Mapping Sitting”, Le Monde. 16.04.2004
: "Already Been in a Lake of Fire," Framework Forthcoming, Fall 2003.
: "Mapping the disaster.", Deborah Root, Prefix Photo. May 2003 (7): 30-41.
: "Missing in Action.", Lee Smith, Artforum. February 2003 (6): 124-129.
: "A Secret History.", Saul Anton, Frieze. January/February 2003 (72): 68-69.
: "Missing in Action.", Lee Smith, Artforum. February 2003 (6): 124-129.
: "Mapping the disaster.", Deborah Root, Prefix Photo. May 2003 (7): 30-41.
2003: "A Secret History.", Saul Anton, Frieze. January/February 2003 (72): 68-69.
: "Already Been in a Lake of Fire," Framework Forthcoming, Fall 2003.
: "Walid Raad.", Alan Gilbert, Bomb. Fall 2002: 38-45.
2002: "Mapping Sitting" (Zaatari, Maasri, Bassil and Raad eds., The Arab Image Foundation, (Mind the Gap Publications: Beirut [Lebanon]), 2002.
: "Walid Raad.", Alan Gilbert, Bomb. Fall 2002: 38-45.
: "Forging History, Performing Memory.", Sarah Rogers, Parachute. October 2002 (108): 68-79.
: "Mapping Sitting" (Zaatari, Maasri, Bassil and Raad eds., The Arab Image Foundation, (Mind the Gap Publications: Beirut [Lebanon]), 2002
: "Forging History, Performing Memory.", Sarah Rogers, Parachute. October 2002 (108): 68-79.

Walid Raad

(Lebanese, born 1967)

Walid Raad

Walid Raad

Walid Raad

Walid Raad

Walid Raad

Walid Raad

Walid Raad

Biography

Timeline

Exhibitions

Public Collections

Literature

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