Pauline Boty: A Portrait

Pauline Boty: A Portrait

39 Dover Street London, W1S 4NN, United Kingdom Friday, December 1, 2023–Saturday, February 24, 2024


untitled (pauline boty in her studio) by michael ward

Michael Ward

Untitled (Pauline Boty In Her Studio), 1963

Price on Request

untitled (men only cover shot) by michael ward

Michael Ward

Untitled (Men Only Cover Shot), 1963

Price on Request

untitled (pauline boty with 'scandal') by michael ward

Michael Ward

Untitled (Pauline Boty with 'Scandal'), 1964

Price on Request

untitled (pauline holding 5-4-3-2-1 painting) by michael ward

Michael Ward

Untitled (Pauline Holding 5-4-3-2-1 Painting), 1963

Price on Request

untitled (pauline boty at home) by michael ward

Michael Ward

Untitled (Pauline Boty at Home), 1963

Price on Request

untitled (pauline boty with 'che' painting) by michael ward

Michael Ward

Untitled (Pauline Boty with 'Che' Painting), 1963

Price on Request

untitled (pauline boty, pop artist in studio) by michael ward

Michael Ward

Untitled (Pauline Boty, Pop Artist in Studio), 1963

Price on Request

Gazelli Art House celebrates the life and legacy of trailblazing British painter Pauline Boty (1938-1966) in her first posthumous solo exhibition in a decade. 

Pauline Boty: A Portrait presents a remarkable opportunity to view Boty’s coveted paintings in unison, alongside a plethora of profound, archival materials. Marking the artist’s third showing at Gazelli Art House, this exhibition continues the gallery’s explorations of Boty’s pivotal and enduring artistic impact. Pauline Boty: A Portrait marks over twenty years since Pauline Boty – The Only Blonde in the World (The Mayor Gallery and Whitford Fine Art, London), and ten years since Pauline Boty: Pop Artist and Woman (Wolverhampton Art Gallery, UK, touring to Pallant House Gallery) curated by Boty specialist and author, Dr Sue Tate. Pauline Boty: A Portrait will be accompanied by a catalogue and talk.   

A prominent figure in the British Pop Art movement of the 1960s, Boty waylaid convention with her fearless exploration of femininity, societal norms, politics, and popular culture. Eschewed the esteem of her male contemporaries, and customarily eclipsed by preoccupations with her beauty and the tragedy of her untimely passing, Boty’s artworks are today venerated as climacteric within the cultural discourse surrounding the period.