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110 Galerie
Paris
Home
Artworks
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Chloe Piene
(
American
, born 1972)
Chloe Piene
Lifted,
2007
Price on Request
Biography
Timeline
Exhibitions
Literature
Timeline
1972
Born in Stamford, Connecticut, USA
1993
BA, Columbia University, USA
1997
MFA, Goldsmiths College, London, UK
Exhibitions
2012
Les Maitres du Desordre, Musée des Arts Premiers, quai Branly, Paris, France (solo)
2010
Rotwand Gallery, Zurich, Switzerland (solo)
Alon Segev Gallery, Tel Aviv, Israel (solo)
2009
Compass in Hand, MOMA, New York, NY
Keeper of Light, Sandroni.Rey, Los Angeles, CA, USA
Access All Areas, Galerie Max Hetzler, Berlin
Elles@centrepompidou. Women artists in the collections of the National Modern Art Museum Centre Pompidou, Paris
27 dessins pour le plaisir, Galerie de France, Salon du Dessin, Paris
History of Violence, Haifa Museum of Art, Tel Aviv, Israel
The Cunt Show, Galerie Kewenig, Cologne, Germany
2008 - 2009
Diana und Aktaion. Der verbotene Blick auf die Nacktheit, Stiftung Museum Kunst Palast, Düsseldorf, Germany
2008
Galerie Gasser & Grunert, New York, USA (solo)
Geschlossene Gesellschaft, KW Kunst-Werke Berlin, Germany
Alon Segev Gallery, Tel Aviv, Israel (solo)
Klemens Gasser & Tanja Grunert, Inc., New York, USA (solo)
Galerie Barbara Thumm, Berlin (solo)
Witte de With, Rotterdam, Netherlands (solo)
Between the Two Deaths, curated by Felix Ensslin and Ellen Blumenstein, ZKM, Karlsruhe, Germany
Chloe Piene and Jeppe Hein, Le Musée des Beaux-Arts, Nimes, France
2007
Chloe Piene and William de Kooning, curated by Klaus Ottman, Locks Gallery, Philadelphia, USA
Haifa Museum of Contemporary Art, curated by Hadas Maor, Haifa, Israel
ARS 06, Kiasma, Helsinki, Finland
Streams of Story, Tramway, Glasgow, UK
This is Not a Love Song, Susanne Vielmetter Los Angeles Projects, Culver City, CA, USA
Cluster, Participant Inc., New York, NY, USA
Street: Behind the Cliché, Witte de With, Rotterdamm, Netherlands
2006
I walk the lines, Galerie Barbara Thumm, Berlin, Germany
Nouvelle fabriques d‘images et de sons, Frac Limousin, Limoges, France
Split Subjects, De Appel, Amsterdam, Netherlands
Galerie Thaddaeus Ropac, Salzburg, Austria (solo)
CAMH, Houston, TX, and Salinas Art Center, Salinas, KS, USA
Will Boys Be Boys?, Museum of Contemporary Art, Denver, CO, USA
Contemporary Erotic Drawing, Aldrich Museum, Ridgefield, Conneticut, USA
Works on Paper, Galerie Max Hetzler, Berlin, Germany
Créatures Hybrids et Mysterieuses, Musée des Beaux Arts de Rouen, France
Getting Emotional, Institute of Contemporary Art, Boston, USA
Old and New Dreams, Artprojx, London, UK
VIDEO, Sandroni Rey, Los Angeles, CA, USA (solo)
Drawings, Musée St. Etienne, St. Etienne, France
Printemps de Toulouse Festival, Vertiges, Musée des Abattoirs, Toulouse, France
Masculinities, Neuer Berliner Kunstverein, Berlin, Germany
Vita Kuben, curated by Annee Olofsson, Umea, Sweden (solo)
Mario Diacono, Boston, MA, USA (solo)
Galerie Nathalie Obadia, Paris, France (solo)
2005
DRAWING, Sandroni Rey, Los Angeles, CA, USA (solo)
No Ordinary Sanctity, DeutsheBank and Thaddeus Ropac, Salzburg, Austria
Noctambule, Fondation Dosne - Bibliotheque Thiers, Paris, France
Kunsthalle Bern, Bern, Switzerland (solo)
2004
Whitney Biennial, Whitney Museum of American Art, New York, NY, USA
Klemens Gasser & Tanja Grunert, Inc., New York, NY, USA (solo)
2003
Lust and Leisure, Voges and Diesen, Frankfurt, Germany
Losing It, Fenton Arts Gallery, Cork, Ireland
Klemens Gasser & Tanja Grunert, Inc., New York, NY, USA (solo)
2002
Inside the Whale, Klemens Gasser & Tanja Grunert, Inc., New York, USA
2001
Legitimate Theatre, Los Angeles County Museum of Art, Los Angeles, USA
Profounders Gallery, Helsinki, Finland (solo)
Marianne Boesky Gallery, New York, USA (solo)
2000
Helsinki City Art Museum, Helsinki, Finland (solo)
Magazin4, Bregenz, Austria (solo)
New Video, Barbara Gross Galerie, Munich, Germany
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Literature
2009
Compass in Hand. Selections from the Judith Rothschild Foundation Contemporary Drawings Collections, Steve Pulimood, Art in America International review, 26. Mai 2009
Compass in Hand: MoMA Pushes the Envelope in Works on Paper, Roberta Smith,The New York Times, April 24, 2009, Seite C27
Diaries of a Young Artist, Shelly Bancroft, Peter Nesbett, Rebecca Sears, New York 2009
Gothic: The Evolution of a Dark Aesthetic, by Catherine Spooner, Kim Newman, Gilda Williams and Mick Mercer, Carlton Books, London, 2009
2008
Chloe Piene‘s new Skullptures, a Review by Tim Maul, Afterart New, July 11
Chloe Piene, Review by Anne Doran, Time Out New York, June 4
Guter Geschmack ist langweilig, Gunnar Luetzow, Berliner Morgenpost, 26. September 2008, Seite 22
Geballte Entladung, Kurators Liebling von Ina Lockhart, Financial Times Deutschland, Freitag, 26. September 2008, Seite 32
Between two deaths (exh.cat.), Ellen Blumenstein and Felix Ensslin (Eds.), ZKM Karlsruhe and Hatje Cantz Verlag, Ostfildern, 2007
Time Out Tel Aviv, “ Thuggery ” by Lea Abir, January 12
Haaretz, “Desire Strong as Death” by Uzi Zur, January 23
Haaretz, “The American Nightmare” by Smadar Sheffi, January 24
Philadelphia Weekly, “Double Exposure” by Carmen Winant, January 31
Harvard Review #32, Cambridge
Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer
Ice Cream: Contemporary Art and Culture, Phaidon Press
Hellbound, Edited by Francesca Gavin, Laurence King Publishing, London
Style Magazine Berlin, “Chloe Piene” by Marcus Woeller, p. 125, March
Frozen Tears III, Edited by John Russel, Central Books, London
Der Tod und das Mädchen” artist portrait by Oliver Koerner von Gustorf, Monopol Magazine, Nr. 11/2007, November
Berliner Zeitung, „Allein im Wald“, by Dominikus Müller, November 20, N. 271 p. 21
artnet, „Vom Abgrundtief Anderen - Chloe Piene bei Barbara Thumm, Berlin“, by Anne Haun, 20 November
2007
Chloe Piene (exh.cat.), with essay „At hand“ by Barry Schwabsky, Carré d’Art - Musée d’Art Contemporain de Nîmes
Spike Art Quarterly, Review, “Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 - 91, May
ID Magazine, “Chloe Piene: Bite the Bullet ” by Melissa Gronlund, p. 36, June/July
ARTnews, “Making Skin Crawl” by Hilarie M. Sheets, pp. 102, 104,September
Phonecall, by Chloe Piene, One Star Press, Paris, January 2006
2006
ARTnews, The Big Draw, by Hilarie M. Sheets, pp. 98-103, January 2006
ARTnet Magazin, “Provocative Realism” by Donald Kuspit, December 18
La Liberation, Toulouse Art-Corps, by Brigitte Ollier, September 27, 2005
Houston Press, Hot Ass Art, by Steven Devadanam, January 27, 2005
Vitamin D, Essay on Chloe Piene by Barry Schwabsky, Phaidon Press, 2005
Rocky Mountain News, Personal Experience Filters Boys, by Voelz Chandler, February 18, 2005
The Boston Globe, Sweet Emotion, July 12, 2005
Egon Schiele, Statement by Chloe Piene, Neue Galerie, New York, 2005
Le Monde, Les Corps Déchirés de Chloe Piene, by Philippe Dagen, April 30, 2005
Artdaily.com, Contemporary Erotic Drawing at The Aldrich, June 8, 2005
2005
Art press, Chloe Piene, Review by Jean-Pierre Criqui, June 2005
Walker Museum of Contemporary Art, Catalog of Collection and New Acquisitions, 2005
2004
New York Magazine, Show and Tell, p. 136, November 29, 2004
Saint Louis Times, Art‘s Really Big Show, by David Bonetti, May 2, 2004
Arte, Alla Biennale del Whitney: Torna la Pittura, by Renato Diez, pp.104-111, April 2004
Neue Zürcher Zeitung, Die neue Bescheidenheitm, by Andrea Köhler, March 25, 2004
The New York Times, Art That Speaks To You. Literally., by Roberta Smith, Arts p. 30, March 7, 2004
2003
Art in America, Review, Chloe Piene, by Nancy Princenthal, pp. 91 - 92, July 2003
Art Press, News, Chloe Piene, by Charles-Arthur Boyer, pp. 68 - 69, June 2003
2002
MAKE Magazine, Interview with Lisa Prior, pp. 36 - 37, Special Edition #92, 2002
2001
Helsinki Sanomat, Kalevala on Voimakas ja Brutaali, by Leena Honkavaara, May 5, 2001
Los Angeles Times, A Poignant Intersection of Fantasy and Reality, by David Pagel, May 29, 2001
2000
Vorarlberger Nachrichten, Crashkurs für Selbstdarsteller, May 3, 2000
Hufvudstadsbladet, Focus på psyket, by Maria Hirvi, June 1, 2000
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