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05 December 2024
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George Elgar Hicks
The Drive
9.75 x 7.75 in. (24.8 x 19.7 cm.)
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George Elgar Hicks
British, 1824–1914
The Drive
George Elgar Hicks
The Drive
9.75 x 7.75 in. (24.8 x 19.7 cm.)
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Medium
Paintings, Oil on panel
Size
9.75 x 7.75 in. (24.8 x 19.7 cm.)
Markings
Signed "G E Hicks 1860"
Price
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M.S. Rau
New Orleans / Aspen
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About this Artwork
Size Notes
Frame: 19" high x 17" wide
Movement
Victorian
Provenance
Mr. VokinsPrivate collection, UK
Mr. VokinsPrivate collection, UK
Exhibitions
10/21/2017–01/20/2018 Aristocracy: Luxury and Leisure in Britain
Literature
Rosamond Allwood, George Elgar Hicks: Painter of Victorian Life, exhibition catalogue, Geffrye Museum, London & Southampton Art Gallery, ILEA, 1982, p. 55 (artist's notebook entry for 1860)
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Description
This painting was recorded in the artist's notebook entry for 1860 as The Drive, representing "2 Misses Perry".
This charming portrait by George Elgar Hicks captures two elegant ladies as they take a carriage ride on a bright, winter morning. Just as they have taken a great deal of trouble over their appearance for their excursion, so too does Hicks take pains to articulate the finer details of the women's apparel, contrasting the light and dark-haired women in harmonious tones of white, grey, lilac and purple. Hicks painted a variety of subjects including religious scenes, landscapes and his preferred form of genre scenes. His most famous works were his extraordinarily detailed portrayals of Victorian life, which are reminiscent of the great Victorian novelists Dickens and George Augustus Sala in their narrative intensity and documentary power.
Hicks lived most of his life in London and Hampshire. He studied for a medical degree at University College, London, before becoming an artist. He undertook his artistic studies at Sass's Academy and the Royal Academy Schools, which he entered in 1844, and won a silver medal. A follower of William Powell Frith, Hicks enjoyed a career as both a painter of modern-life subjects and, later as a society portrait painter. He exhibited regularly at the Royal Academy from 1848, and developed his skill as a portraitist. Many of his works reached their greatest fame through their exhibition at private galleries, which gained enormous prestige in the mid-19th century art world. The vast dissemination of these compelling images in the form of prints ensured Hicks' enormous and enduring popularity.
The Athenaeum commented upon the significance Hick's views of Victorian life would hold for future generations: "Mr. G. E. Hicks hit upon a good idea when he resolved to paint for us the scenes which take place at some of the well-known places of business of the City of London...Such pictures, even less well painted than these really are, will be interesting for the future time, and therefore we shall be thankful to get them as creditably executed as [those of Hick's are.]"
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