Price Database
05 December 2024
Artists
Auctions
Artnet Auctions
Global Auction Houses
Galleries
Events
News
Price Database
Use the Artnet Price Database
Market Alerts
Artnet Analytics
Hidden
Buy
Browse Artists
Artnet Auctions
Browse Galleries
Global Auction Houses
Events & Exhibitions
Speak With a Specialist
Art Financing
How to Buy
Sell
Sell With Us
Become a Gallery Partner
Become an Auction Partner
Receive a Valuation
How to Sell
Search
Hidden
Charles Addams
Stop Make Forfeit,(Illustration, Cartoon)
, 1956
12 x 11 in. (30.5 x 27.9 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Charles Addams
American, 1912–1988
Stop Make Forfeit,(Illustration, Cartoon)
,
1956
Charles Addams
Stop Make Forfeit,(Illustration, Cartoon)
, 1956
12 x 11 in. (30.5 x 27.9 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Works on paper, Watercolor, ink and wash
Size
12 x 11 in. (30.5 x 27.9 cm.)
Price
Sold
Contact Gallery About This Work
Robert Funk Fine Art
Miami
Artworks
Artists
Contact Gallery
Sell a similar work with Artnet Auctions
About this Artwork
Movement
Modern Art
Provenance
Syndicated cartoon for McClure Syndicate
Tee and Charles Addams Foundation
Taraba Illustration Art
See more
Description
Perhaps one of the biggest "Forfeits” he will ever potentially make.
This is a thoughtful and deeply conceptual work by Addams.
The "Lonely Witch" has her mouth open, while the cottage door right behind her is open as well.
She is shoots bedroom eyes to the man. The wife identity is hidden.
Addams is suggesting that it’s the Witch’s desire for the man to throw his wife overboard and then join her for some private time.
It's a fair sacrifice for passage for a Witch. And in perfect keeping with Addam's sensibility, where life is seen from the point of view of his macabre characters.
His carefully crafted composition has the wife right next to a perilous precipice for convenient disposal.
The chimney on top of the Witch's cottage is a clearly phallic in shape.
There is a direct line of sight from the man's eyes to the Witch to the chimney.
A classic reference of intercourse is typically symbolized by a train going into a tunnel.
In this case, it's a car going into a covered bridge. The fact the bridge is covered is no accident.
In prudishly conservative 1956 America, sexuality had to be handled in subtle ways.
This may be one of the only works by Addams where he deals with sex.
See more